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Wicked in Chattanooga, TN
Current price: $17.99

Barnes and Noble
Wicked in Chattanooga, TN
Current price: $17.99
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Size: OS
Sinitta's
second album maintained her position in the dance-pop sweepstakes, thanks to cover versions of pop songs by
Maxine Nightingale
and
Robert Knight
,
"Right Back Where We Started From"
and "Everlasting Love." The fact that
Sinitta
didn't come close to either version didn't matter; her light, wispy voice fit into the overproduced material enough to generate interest. But it was clear that things were about to end; her other songs were too lightweight to be salvaged even by state-of-the-art late-'80s studio technology. ~ Ron Wynn
second album maintained her position in the dance-pop sweepstakes, thanks to cover versions of pop songs by
Maxine Nightingale
and
Robert Knight
,
"Right Back Where We Started From"
and "Everlasting Love." The fact that
Sinitta
didn't come close to either version didn't matter; her light, wispy voice fit into the overproduced material enough to generate interest. But it was clear that things were about to end; her other songs were too lightweight to be salvaged even by state-of-the-art late-'80s studio technology. ~ Ron Wynn
Sinitta's
second album maintained her position in the dance-pop sweepstakes, thanks to cover versions of pop songs by
Maxine Nightingale
and
Robert Knight
,
"Right Back Where We Started From"
and "Everlasting Love." The fact that
Sinitta
didn't come close to either version didn't matter; her light, wispy voice fit into the overproduced material enough to generate interest. But it was clear that things were about to end; her other songs were too lightweight to be salvaged even by state-of-the-art late-'80s studio technology. ~ Ron Wynn
second album maintained her position in the dance-pop sweepstakes, thanks to cover versions of pop songs by
Maxine Nightingale
and
Robert Knight
,
"Right Back Where We Started From"
and "Everlasting Love." The fact that
Sinitta
didn't come close to either version didn't matter; her light, wispy voice fit into the overproduced material enough to generate interest. But it was clear that things were about to end; her other songs were too lightweight to be salvaged even by state-of-the-art late-'80s studio technology. ~ Ron Wynn

















