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We Rule the Universe
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We Rule the Universe in Chattanooga, TN
Current price: $15.99

Barnes and Noble
We Rule the Universe in Chattanooga, TN
Current price: $15.99
Loading Inventory...
Size: OS
We Rule the Universe
was the only full-length by
the Beach Bullies
, an early-'80s U.K. post-punk duo consisting of guitarist
James A. Smith
and
Jill Fricker
, along with a drum machine. The two vocalists traded off humorous lyrics about subjects such as eating on British trains and window-shopping. There's more serious subject matter, such as painful breakups, but even songs like the haunting "Sob Story" effortlessly incorporate sharp jabs and pointed quips. Given
Smith
's association with
the Soft Boys
, it's hard not to compare his lyrics and sense of humor to
Robyn Hitchcock
's, but
doesn't have the psychedelic, surrealist bent of
Hitchcock
. They're a bit closer to the stark observations of
the Television Personalities
'
Dan Treacy
, but
the Bullies
' sense of humor isn't quite as deadpan as his. The vocals (especially
's) seem very casual and untrained, making the band seem like a jokey spare-time side project, and the album like somewhat of a novelty record. It's generally a fun one, though. The singers are both quick and clever, and their best songs are catchy and lighthearted without being too cute for their own good. [Brooklyn-based reissue label
Manufactured Recordings
gave
its first ever reissue in 2015, including demos for the band's unfinished, unreleased second album.] ~ Paul Simpson
was the only full-length by
the Beach Bullies
, an early-'80s U.K. post-punk duo consisting of guitarist
James A. Smith
and
Jill Fricker
, along with a drum machine. The two vocalists traded off humorous lyrics about subjects such as eating on British trains and window-shopping. There's more serious subject matter, such as painful breakups, but even songs like the haunting "Sob Story" effortlessly incorporate sharp jabs and pointed quips. Given
Smith
's association with
the Soft Boys
, it's hard not to compare his lyrics and sense of humor to
Robyn Hitchcock
's, but
doesn't have the psychedelic, surrealist bent of
Hitchcock
. They're a bit closer to the stark observations of
the Television Personalities
'
Dan Treacy
, but
the Bullies
' sense of humor isn't quite as deadpan as his. The vocals (especially
's) seem very casual and untrained, making the band seem like a jokey spare-time side project, and the album like somewhat of a novelty record. It's generally a fun one, though. The singers are both quick and clever, and their best songs are catchy and lighthearted without being too cute for their own good. [Brooklyn-based reissue label
Manufactured Recordings
gave
its first ever reissue in 2015, including demos for the band's unfinished, unreleased second album.] ~ Paul Simpson
We Rule the Universe
was the only full-length by
the Beach Bullies
, an early-'80s U.K. post-punk duo consisting of guitarist
James A. Smith
and
Jill Fricker
, along with a drum machine. The two vocalists traded off humorous lyrics about subjects such as eating on British trains and window-shopping. There's more serious subject matter, such as painful breakups, but even songs like the haunting "Sob Story" effortlessly incorporate sharp jabs and pointed quips. Given
Smith
's association with
the Soft Boys
, it's hard not to compare his lyrics and sense of humor to
Robyn Hitchcock
's, but
doesn't have the psychedelic, surrealist bent of
Hitchcock
. They're a bit closer to the stark observations of
the Television Personalities
'
Dan Treacy
, but
the Bullies
' sense of humor isn't quite as deadpan as his. The vocals (especially
's) seem very casual and untrained, making the band seem like a jokey spare-time side project, and the album like somewhat of a novelty record. It's generally a fun one, though. The singers are both quick and clever, and their best songs are catchy and lighthearted without being too cute for their own good. [Brooklyn-based reissue label
Manufactured Recordings
gave
its first ever reissue in 2015, including demos for the band's unfinished, unreleased second album.] ~ Paul Simpson
was the only full-length by
the Beach Bullies
, an early-'80s U.K. post-punk duo consisting of guitarist
James A. Smith
and
Jill Fricker
, along with a drum machine. The two vocalists traded off humorous lyrics about subjects such as eating on British trains and window-shopping. There's more serious subject matter, such as painful breakups, but even songs like the haunting "Sob Story" effortlessly incorporate sharp jabs and pointed quips. Given
Smith
's association with
the Soft Boys
, it's hard not to compare his lyrics and sense of humor to
Robyn Hitchcock
's, but
doesn't have the psychedelic, surrealist bent of
Hitchcock
. They're a bit closer to the stark observations of
the Television Personalities
'
Dan Treacy
, but
the Bullies
' sense of humor isn't quite as deadpan as his. The vocals (especially
's) seem very casual and untrained, making the band seem like a jokey spare-time side project, and the album like somewhat of a novelty record. It's generally a fun one, though. The singers are both quick and clever, and their best songs are catchy and lighthearted without being too cute for their own good. [Brooklyn-based reissue label
Manufactured Recordings
gave
its first ever reissue in 2015, including demos for the band's unfinished, unreleased second album.] ~ Paul Simpson

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