Norah Jones
named her eighth proper studio set
Visions
because many of the musical ideas occurred to her in the middle of the night, right when her consciousness was hazy: they weren't fully realized so much as an apparition. That sense of dreaminess carries through to the finished product but not in ways that are commonly associated with such a description. Far from being an album constructed for twilight hours -- a dimly lit excursion into mood music --
is clear and light, its textures vividly articulated and its rhythms mellow and fluid. It's music that feels alive, inhaling and exhaling with a gentle insistence; it's never rushed, never clipped. Despite the record's inherent relaxation,
never quite proceeds in a linear path. Chalk this up to
Jones
' choice of collaborator. Working again with
Leon Michels
, a veteran of the seminal retro-soul outfit
Sharon Jones & the Dap-Kings
who previously produced
Norah
's 2021 seasonal set
I Dream of Christmas
,
embraces the possibilities of psychedelic-tinged soul without succumbing to its trappings.
pulsates softly and sweetly, like a lava lamp slowly shifting colors in the background. The hues aren't hyper-saturated; they're pleasing pastels radiating warmth. The emphasis on atmosphere isn't unusual for a
album -- after all, she has worked with hip-hop collage artist
Danger Mouse
-- but
feels bright and open. It glides between modulated soul jams, languid ballads, and hopeful pop tunes, each enlivened by flair that's felt more than heard: horns start to sigh in the background,
' voice gets an off-kilter filter, guitars take an elliptical journey to a resolving chord. The results aren't startling so much as they're fresh, avoiding musical and lyrical clichés. Witness "That's Life," a closing number that offers its inspirational advice not only with a knowing shrug but a song that rushes into a chorus and backs away on its bridge; the sentiment is familiar, but the execution isn't. It's a fitting farewell on a record that offers boundless imagination underneath its cool surface. ~ Stephen Thomas Erlewine