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Vessel
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Vessel in Chattanooga, TN
Current price: $13.99
Barnes and Noble
Vessel in Chattanooga, TN
Current price: $13.99
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Size: OS
While
Frankie Cosmos
architect
Greta Kline
had been touring with a backing band and recording with guest musicians for a few years before tracking 2018's
Vessel
, it's her first album to be released officially as a band. It's also the former bedroom project's debut for
Sub Pop Records
. These details seem to go hand in hand on
, her most assertive-sounding set to date. It follows two other studio-made label releases that in turn followed dozens of home-recorded, self-released collections starting when
Kline
was in her teens. Approaching her mid-twenties here, she still affects with candid observation, open affection, self-doubt, and self-consciousness, but lyrics reveal moments of self-reliance as well. "When the heart gets too tender/Return it to the sender/Be more centered" precedes the band's entrance over a minute into the opener, "Caramelize." It's as if the drums, bass, and keyboards are helping to strengthen her resolve. The rest of the song continues in kind, as
passes through sparer moments of sentimentality and full-band determination. As on the prior studio albums,
's warm, half-spoken vocals and breathy high notes are balanced in the mix, always discernable even on punky entries like "Cafeteria" and "Being Alive." The latter was previously released in demo form and performed live for some time before it was finally recorded for the album. In the
version, some of her bandmembers take turns singing on the track, namely keyboardist
Lauren Martin
and bassist
David Maine
, along with guest vocalist
Anna McClellan
. On a collection full of memorable tunes, it's an especially impactful one that uses thrashing drums, winding vocal harmonies, and shared sentiment to sweeten the message that, even when times are tough, being here "matters quite a bit." The record's emotional honesty seems to extend to false starts, count-offs, and studio laughter that also make the final edit. While the band's involvement, particularly more active drums, help the sound lean forward,
' essential musical qualities remain: hooky melodies, a disarming lyrical style, and impressive efficiency (
's 18 tracks clock in at 33 minutes). ~ Marcy Donelson
Frankie Cosmos
architect
Greta Kline
had been touring with a backing band and recording with guest musicians for a few years before tracking 2018's
Vessel
, it's her first album to be released officially as a band. It's also the former bedroom project's debut for
Sub Pop Records
. These details seem to go hand in hand on
, her most assertive-sounding set to date. It follows two other studio-made label releases that in turn followed dozens of home-recorded, self-released collections starting when
Kline
was in her teens. Approaching her mid-twenties here, she still affects with candid observation, open affection, self-doubt, and self-consciousness, but lyrics reveal moments of self-reliance as well. "When the heart gets too tender/Return it to the sender/Be more centered" precedes the band's entrance over a minute into the opener, "Caramelize." It's as if the drums, bass, and keyboards are helping to strengthen her resolve. The rest of the song continues in kind, as
passes through sparer moments of sentimentality and full-band determination. As on the prior studio albums,
's warm, half-spoken vocals and breathy high notes are balanced in the mix, always discernable even on punky entries like "Cafeteria" and "Being Alive." The latter was previously released in demo form and performed live for some time before it was finally recorded for the album. In the
version, some of her bandmembers take turns singing on the track, namely keyboardist
Lauren Martin
and bassist
David Maine
, along with guest vocalist
Anna McClellan
. On a collection full of memorable tunes, it's an especially impactful one that uses thrashing drums, winding vocal harmonies, and shared sentiment to sweeten the message that, even when times are tough, being here "matters quite a bit." The record's emotional honesty seems to extend to false starts, count-offs, and studio laughter that also make the final edit. While the band's involvement, particularly more active drums, help the sound lean forward,
' essential musical qualities remain: hooky melodies, a disarming lyrical style, and impressive efficiency (
's 18 tracks clock in at 33 minutes). ~ Marcy Donelson
While
Frankie Cosmos
architect
Greta Kline
had been touring with a backing band and recording with guest musicians for a few years before tracking 2018's
Vessel
, it's her first album to be released officially as a band. It's also the former bedroom project's debut for
Sub Pop Records
. These details seem to go hand in hand on
, her most assertive-sounding set to date. It follows two other studio-made label releases that in turn followed dozens of home-recorded, self-released collections starting when
Kline
was in her teens. Approaching her mid-twenties here, she still affects with candid observation, open affection, self-doubt, and self-consciousness, but lyrics reveal moments of self-reliance as well. "When the heart gets too tender/Return it to the sender/Be more centered" precedes the band's entrance over a minute into the opener, "Caramelize." It's as if the drums, bass, and keyboards are helping to strengthen her resolve. The rest of the song continues in kind, as
passes through sparer moments of sentimentality and full-band determination. As on the prior studio albums,
's warm, half-spoken vocals and breathy high notes are balanced in the mix, always discernable even on punky entries like "Cafeteria" and "Being Alive." The latter was previously released in demo form and performed live for some time before it was finally recorded for the album. In the
version, some of her bandmembers take turns singing on the track, namely keyboardist
Lauren Martin
and bassist
David Maine
, along with guest vocalist
Anna McClellan
. On a collection full of memorable tunes, it's an especially impactful one that uses thrashing drums, winding vocal harmonies, and shared sentiment to sweeten the message that, even when times are tough, being here "matters quite a bit." The record's emotional honesty seems to extend to false starts, count-offs, and studio laughter that also make the final edit. While the band's involvement, particularly more active drums, help the sound lean forward,
' essential musical qualities remain: hooky melodies, a disarming lyrical style, and impressive efficiency (
's 18 tracks clock in at 33 minutes). ~ Marcy Donelson
Frankie Cosmos
architect
Greta Kline
had been touring with a backing band and recording with guest musicians for a few years before tracking 2018's
Vessel
, it's her first album to be released officially as a band. It's also the former bedroom project's debut for
Sub Pop Records
. These details seem to go hand in hand on
, her most assertive-sounding set to date. It follows two other studio-made label releases that in turn followed dozens of home-recorded, self-released collections starting when
Kline
was in her teens. Approaching her mid-twenties here, she still affects with candid observation, open affection, self-doubt, and self-consciousness, but lyrics reveal moments of self-reliance as well. "When the heart gets too tender/Return it to the sender/Be more centered" precedes the band's entrance over a minute into the opener, "Caramelize." It's as if the drums, bass, and keyboards are helping to strengthen her resolve. The rest of the song continues in kind, as
passes through sparer moments of sentimentality and full-band determination. As on the prior studio albums,
's warm, half-spoken vocals and breathy high notes are balanced in the mix, always discernable even on punky entries like "Cafeteria" and "Being Alive." The latter was previously released in demo form and performed live for some time before it was finally recorded for the album. In the
version, some of her bandmembers take turns singing on the track, namely keyboardist
Lauren Martin
and bassist
David Maine
, along with guest vocalist
Anna McClellan
. On a collection full of memorable tunes, it's an especially impactful one that uses thrashing drums, winding vocal harmonies, and shared sentiment to sweeten the message that, even when times are tough, being here "matters quite a bit." The record's emotional honesty seems to extend to false starts, count-offs, and studio laughter that also make the final edit. While the band's involvement, particularly more active drums, help the sound lean forward,
' essential musical qualities remain: hooky melodies, a disarming lyrical style, and impressive efficiency (
's 18 tracks clock in at 33 minutes). ~ Marcy Donelson
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