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Up for the Down Stroke
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Up for the Down Stroke in Chattanooga, TN
Current price: $29.99

Barnes and Noble
Up for the Down Stroke in Chattanooga, TN
Current price: $29.99
Loading Inventory...
Size: OS
Kicking off with one of prime
funk
's purest distillations -- the outrageously great title track, with a perfect party chorus line and uncredited horns (presumably
the Horny Horns
were involved somehow) adding to the monster beat and bass --
Up for the Down Stroke
finds
Parliament
in rude good health. As was more or less the case through the '70s,
took a slightly more listener-friendly turn here than they did as
Funkadelic
, but often it's a difference by degrees. Just listening to some of
Bernie Worrell
's insane keyboard parts or
Bootsy Collins
' bass work here is enough to wake the dead. As always,
Worrell
in particular can suddenly surprise with his delicacy -- the soft, understated flow of
"I Just Got Back"
may have lyrics that could be sung by
Jon Anderson
, at least at points, but the piano lines have subtle, dreamy grace, the antithesis of
Rick Wakeman
's masturbations. For that matter,
Peter Chase
's whistles are downright delightful, goofy, and sweet all at once. Slightly more oddball is
"All Your Goodies Are Gone,"
which has a bit more upfront bite and some downright strange lyrics, delivered with a stoned, breathless tone and backed by unearthly choir arrangements.
Eddie Hazel
is still listed as present and contributing, though unfortunately not for long after, with
Ron Bykowski
,
Gary Shider
, and
William Nelson
also chipping in as needed.
Hazel
co-writes two of the songs; it's a pity
"The Goose"
runs out of steam toward the midpoint of its nine minutes, but it makes for pleasant background music if not
at its unfettered best. In the meantime,
Clinton
and various familiar voices like
Fuzzy Haskins
and
Grady Thomas
keep the weird wigginess of the lyrics flowing. In a nod to the group's past,
"(I Wanna) Testify,"
here simply called
"Testify,"
gets a 1974-era work over. ~ Ned Raggett
funk
's purest distillations -- the outrageously great title track, with a perfect party chorus line and uncredited horns (presumably
the Horny Horns
were involved somehow) adding to the monster beat and bass --
Up for the Down Stroke
finds
Parliament
in rude good health. As was more or less the case through the '70s,
took a slightly more listener-friendly turn here than they did as
Funkadelic
, but often it's a difference by degrees. Just listening to some of
Bernie Worrell
's insane keyboard parts or
Bootsy Collins
' bass work here is enough to wake the dead. As always,
Worrell
in particular can suddenly surprise with his delicacy -- the soft, understated flow of
"I Just Got Back"
may have lyrics that could be sung by
Jon Anderson
, at least at points, but the piano lines have subtle, dreamy grace, the antithesis of
Rick Wakeman
's masturbations. For that matter,
Peter Chase
's whistles are downright delightful, goofy, and sweet all at once. Slightly more oddball is
"All Your Goodies Are Gone,"
which has a bit more upfront bite and some downright strange lyrics, delivered with a stoned, breathless tone and backed by unearthly choir arrangements.
Eddie Hazel
is still listed as present and contributing, though unfortunately not for long after, with
Ron Bykowski
,
Gary Shider
, and
William Nelson
also chipping in as needed.
Hazel
co-writes two of the songs; it's a pity
"The Goose"
runs out of steam toward the midpoint of its nine minutes, but it makes for pleasant background music if not
at its unfettered best. In the meantime,
Clinton
and various familiar voices like
Fuzzy Haskins
and
Grady Thomas
keep the weird wigginess of the lyrics flowing. In a nod to the group's past,
"(I Wanna) Testify,"
here simply called
"Testify,"
gets a 1974-era work over. ~ Ned Raggett
Kicking off with one of prime
funk
's purest distillations -- the outrageously great title track, with a perfect party chorus line and uncredited horns (presumably
the Horny Horns
were involved somehow) adding to the monster beat and bass --
Up for the Down Stroke
finds
Parliament
in rude good health. As was more or less the case through the '70s,
took a slightly more listener-friendly turn here than they did as
Funkadelic
, but often it's a difference by degrees. Just listening to some of
Bernie Worrell
's insane keyboard parts or
Bootsy Collins
' bass work here is enough to wake the dead. As always,
Worrell
in particular can suddenly surprise with his delicacy -- the soft, understated flow of
"I Just Got Back"
may have lyrics that could be sung by
Jon Anderson
, at least at points, but the piano lines have subtle, dreamy grace, the antithesis of
Rick Wakeman
's masturbations. For that matter,
Peter Chase
's whistles are downright delightful, goofy, and sweet all at once. Slightly more oddball is
"All Your Goodies Are Gone,"
which has a bit more upfront bite and some downright strange lyrics, delivered with a stoned, breathless tone and backed by unearthly choir arrangements.
Eddie Hazel
is still listed as present and contributing, though unfortunately not for long after, with
Ron Bykowski
,
Gary Shider
, and
William Nelson
also chipping in as needed.
Hazel
co-writes two of the songs; it's a pity
"The Goose"
runs out of steam toward the midpoint of its nine minutes, but it makes for pleasant background music if not
at its unfettered best. In the meantime,
Clinton
and various familiar voices like
Fuzzy Haskins
and
Grady Thomas
keep the weird wigginess of the lyrics flowing. In a nod to the group's past,
"(I Wanna) Testify,"
here simply called
"Testify,"
gets a 1974-era work over. ~ Ned Raggett
funk
's purest distillations -- the outrageously great title track, with a perfect party chorus line and uncredited horns (presumably
the Horny Horns
were involved somehow) adding to the monster beat and bass --
Up for the Down Stroke
finds
Parliament
in rude good health. As was more or less the case through the '70s,
took a slightly more listener-friendly turn here than they did as
Funkadelic
, but often it's a difference by degrees. Just listening to some of
Bernie Worrell
's insane keyboard parts or
Bootsy Collins
' bass work here is enough to wake the dead. As always,
Worrell
in particular can suddenly surprise with his delicacy -- the soft, understated flow of
"I Just Got Back"
may have lyrics that could be sung by
Jon Anderson
, at least at points, but the piano lines have subtle, dreamy grace, the antithesis of
Rick Wakeman
's masturbations. For that matter,
Peter Chase
's whistles are downright delightful, goofy, and sweet all at once. Slightly more oddball is
"All Your Goodies Are Gone,"
which has a bit more upfront bite and some downright strange lyrics, delivered with a stoned, breathless tone and backed by unearthly choir arrangements.
Eddie Hazel
is still listed as present and contributing, though unfortunately not for long after, with
Ron Bykowski
,
Gary Shider
, and
William Nelson
also chipping in as needed.
Hazel
co-writes two of the songs; it's a pity
"The Goose"
runs out of steam toward the midpoint of its nine minutes, but it makes for pleasant background music if not
at its unfettered best. In the meantime,
Clinton
and various familiar voices like
Fuzzy Haskins
and
Grady Thomas
keep the weird wigginess of the lyrics flowing. In a nod to the group's past,
"(I Wanna) Testify,"
here simply called
"Testify,"
gets a 1974-era work over. ~ Ned Raggett

















