There's a reason
Turnstiles
begins with the
Spector-esque
epic
"Say Goodbye to Hollywood."
Shortly after
Streetlife Serenade
,
Joel
ditched California -- and, by implication, sensitive Californian
soft rock
from sensitive singer/songwriters -- for his hometown of New York.
"Say Goodbye to Hollywood"
was a celebration of his move, a repudiation of his past, a fanfare for a new beginning, which is exactly what
was. He still was a singer/songwriter -- indeed,
"Summer, Highland Falls"
was his best
ballad
to date, possibly his best ever -- but he decided to run with his musical talents, turning the record into a whirlwind tour of
pop
styles, from
Sinatra
to
Springsteen
. There's little question that the cinematic sprawl of
Born to Run
had an effect on
, since it has a similar widescreen feel, even if it clocks in at only eight songs. The key to the record's success is variety, the way the album whips from the bouncy,
McCartney-esque
"All You Wanna Do Is Dance"
to the saloon song
"New York State of Mind"
; the way the bitterly cynical
"Angry Young Man"
gives way to the beautiful
"I've Loved These Days"
and the surrealistic apocalyptic fantasy
"Miami 2017 (Seen the Lights Go Out on Broadway)."
No matter how much stylistic ground
covers, he's kept on track by his backing group. He fought to have his touring band support him on
, going to the lengths of firing his original producer, and it was clearly the right move, since they lend the album a cohesive feel.
may not have been a hit, but it remains one of his most accomplished and satisfying records, clearly paving the way to his twin peaks of the late '70s,
The Stranger
and
52nd Street
. ~ Stephen Thomas Erlewine