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The Very Best of Dusty Springfield
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The Very Best of Dusty Springfield in Chattanooga, TN
Current price: $16.99

Barnes and Noble
The Very Best of Dusty Springfield in Chattanooga, TN
Current price: $16.99
Loading Inventory...
Size: OS
Mercury
records, which controls the
Phillips
records catalog, has compiled this
Dusty Springfield
set by referring to
Springfield
's U.K. and U.S. chart successes from 1964 to 1967, then licensing her two biggest hits for
Atlantic
records,
"Son of a Preacher Man"
and
"A Brand New Me."
The result, in terms of song selection, is an excellent 20-song, 57-minute disc that includes most of her best-known material. (The major omission is
"The Windmills of Your Mind,"
a U.S. Top 40 hit, which was on
.) The more questionable elements on the album are the sequencing and the choice of mono and stereo takes. These problems are interrelated: if the compilation producer had opted for a chronological sequencing, the drastic aural differences between the early mono tracks and the later gimmicky, extreme (and, in at least one case, apparently fake) stereo tracks would not have been such a constant distraction to the listener. (So many tracks, even from as late as 1967, are in mono, that you wonder why they didn't just make the whole album mono.) And
's stylistic evolution would have been more coherent, too. Why, for example, put the 1968
its full stereo, American R&B-style glory, as the fifth track, then follow it with the 1964
"I Just Don't Know What to Do With Myself,"
in boxy mono with orchestral accompaniment? Of course, you can re-sequence the album on your CD player, but you shouldn't have to. ~ William Ruhlmann
records, which controls the
Phillips
records catalog, has compiled this
Dusty Springfield
set by referring to
Springfield
's U.K. and U.S. chart successes from 1964 to 1967, then licensing her two biggest hits for
Atlantic
records,
"Son of a Preacher Man"
and
"A Brand New Me."
The result, in terms of song selection, is an excellent 20-song, 57-minute disc that includes most of her best-known material. (The major omission is
"The Windmills of Your Mind,"
a U.S. Top 40 hit, which was on
.) The more questionable elements on the album are the sequencing and the choice of mono and stereo takes. These problems are interrelated: if the compilation producer had opted for a chronological sequencing, the drastic aural differences between the early mono tracks and the later gimmicky, extreme (and, in at least one case, apparently fake) stereo tracks would not have been such a constant distraction to the listener. (So many tracks, even from as late as 1967, are in mono, that you wonder why they didn't just make the whole album mono.) And
's stylistic evolution would have been more coherent, too. Why, for example, put the 1968
its full stereo, American R&B-style glory, as the fifth track, then follow it with the 1964
"I Just Don't Know What to Do With Myself,"
in boxy mono with orchestral accompaniment? Of course, you can re-sequence the album on your CD player, but you shouldn't have to. ~ William Ruhlmann
Mercury
records, which controls the
Phillips
records catalog, has compiled this
Dusty Springfield
set by referring to
Springfield
's U.K. and U.S. chart successes from 1964 to 1967, then licensing her two biggest hits for
Atlantic
records,
"Son of a Preacher Man"
and
"A Brand New Me."
The result, in terms of song selection, is an excellent 20-song, 57-minute disc that includes most of her best-known material. (The major omission is
"The Windmills of Your Mind,"
a U.S. Top 40 hit, which was on
.) The more questionable elements on the album are the sequencing and the choice of mono and stereo takes. These problems are interrelated: if the compilation producer had opted for a chronological sequencing, the drastic aural differences between the early mono tracks and the later gimmicky, extreme (and, in at least one case, apparently fake) stereo tracks would not have been such a constant distraction to the listener. (So many tracks, even from as late as 1967, are in mono, that you wonder why they didn't just make the whole album mono.) And
's stylistic evolution would have been more coherent, too. Why, for example, put the 1968
its full stereo, American R&B-style glory, as the fifth track, then follow it with the 1964
"I Just Don't Know What to Do With Myself,"
in boxy mono with orchestral accompaniment? Of course, you can re-sequence the album on your CD player, but you shouldn't have to. ~ William Ruhlmann
records, which controls the
Phillips
records catalog, has compiled this
Dusty Springfield
set by referring to
Springfield
's U.K. and U.S. chart successes from 1964 to 1967, then licensing her two biggest hits for
Atlantic
records,
"Son of a Preacher Man"
and
"A Brand New Me."
The result, in terms of song selection, is an excellent 20-song, 57-minute disc that includes most of her best-known material. (The major omission is
"The Windmills of Your Mind,"
a U.S. Top 40 hit, which was on
.) The more questionable elements on the album are the sequencing and the choice of mono and stereo takes. These problems are interrelated: if the compilation producer had opted for a chronological sequencing, the drastic aural differences between the early mono tracks and the later gimmicky, extreme (and, in at least one case, apparently fake) stereo tracks would not have been such a constant distraction to the listener. (So many tracks, even from as late as 1967, are in mono, that you wonder why they didn't just make the whole album mono.) And
's stylistic evolution would have been more coherent, too. Why, for example, put the 1968
its full stereo, American R&B-style glory, as the fifth track, then follow it with the 1964
"I Just Don't Know What to Do With Myself,"
in boxy mono with orchestral accompaniment? Of course, you can re-sequence the album on your CD player, but you shouldn't have to. ~ William Ruhlmann

















