From the author of The Dada Caper: Chicago private detective Chance Purdue learns that nothing good comes from working for the mob—except cold hard cash. A quick and easy buck sounds good to PI Chance Purdue. But the paycheck seems to be a bit harder to earn when the job entails more than just looking into a minor league baseball team in southern Illinois. His new client, the gangster Cool Lips Chericola, is definitely leaving out details. Enter Brandy Alexander, whose unexpected appearance in Stranger City, Illinois, complicates things. Then throw in the Bobby Crackers Blitzkrieg for Christ religious crusade, and you've got a super-charged powder keg of a caper, with Chance holding both the match and the barrel. Praise for Ross H. Spencer's The Dada Caper "Parodies of the private‐eye novel come and go. Here is The Dada Caper by Ross H. Spencer. It has every cliché down pat, including rat-tat-tat writing in which paragraphs are seldom more than one sentence. . . . The hero is a private eye who is always tailing the wrong people and hitting the wrong guys. The Dada Caper is wild, shrewd, mad and unexpectedly funny." —The New York Times
From the author of The Dada Caper: Chicago private detective Chance Purdue learns that nothing good comes from working for the mob—except cold hard cash. A quick and easy buck sounds good to PI Chance Purdue. But the paycheck seems to be a bit harder to earn when the job entails more than just looking into a minor league baseball team in southern Illinois. His new client, the gangster Cool Lips Chericola, is definitely leaving out details. Enter Brandy Alexander, whose unexpected appearance in Stranger City, Illinois, complicates things. Then throw in the Bobby Crackers Blitzkrieg for Christ religious crusade, and you've got a super-charged powder keg of a caper, with Chance holding both the match and the barrel. Praise for Ross H. Spencer's The Dada Caper "Parodies of the private‐eye novel come and go. Here is The Dada Caper by Ross H. Spencer. It has every cliché down pat, including rat-tat-tat writing in which paragraphs are seldom more than one sentence. . . . The hero is a private eye who is always tailing the wrong people and hitting the wrong guys. The Dada Caper is wild, shrewd, mad and unexpectedly funny." —The New York Times
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