Literary celebrity in the nineteenth century emerged from a miscellaneous array of trending print forms, including antislavery writing, which was a popular, consumable form of literature in the period. Antislavery print culture could function as a pop culture, leveraging cultural myths about gender and authorship through print forms that connected readers with writers: printed collections of author signatures, descriptions of writers’ homes, autobiography, biography, and travel writing.
The Rise of Celebrity Authorship
traces surprising relations among figures and across shared forms in the period: What do antislavery forms and figures tell us about literary celebrity and the networks of transatlantic print culture?
Sarah Danielle Allison illuminates the collective creation of celebrity by tracing unexpected connections within this anarchic nineteenth-century literary marketplace. Bringing together book history with more recent computational approaches,
shifts focus from the conventional literary work of major writers to the breadth of print forms circulating around them. Allison considers a variety of texts adjacent to the novel, including Edgar Allan Poe’s satire of autograph collecting, antislavery gift books, and a Southern travelogue by the Swedish writer Frederika Bremer. She draws striking parallels between two starkly different 1858 texts: Elizabeth Gaskell’s biography of Charlotte Brontë, which sought to unearth the reality behind
Jane Eyre
, and Josiah Henson’s autobiography, which circulated as the life of the “original Uncle Tom.” A rich account of the competing and complementary forces that shape images of authors, this book reveals the collaborative work of literary production and celebrity.