«Epatazhnyy», «provokativnyy», «sensacionnyy» — takimi epitetami uzhe dva stoletiya soprovozhdayutsya otzyvy kritikov o romane angliyskogo pisatelya Met'yu Gregori L'yuisa «Monah», kotoryy po vyhode v svet vesnoy 1796 goda v odnochas'e stal bestsellerom i prichinoy gromkogo obshchestvennogo skandala. Istoriya ispanskogo monaha-kapucina Ambrosio — novogo Fausta, zhertvy d'yavol'skih kozney i gubitelya chuzhih zhizney — prinesla dvadcatiletnemu avtoru protivorechivuyu slavu immoralista, bezbozhnika i odnovremenno sozdatelya goticheskogo romana-tragedii, predvoskhitivshego syuzhetnye kollizii romanticheskoy literatury. V nastoyashchee izdanie voshli takzhe raznoobraznye povesti, kotorye predstavlyayut soboy kak original'nye tvoreniya M.G. L'yuisa, tak i ego perevody ili perelozheniya knig nemeckih avtorov. Eti uvlekatel'nye proizvedeniya, v kotoryh bezoshibochno ugadyvaetsya ruka mastera, na russkiy yazyk perevodyatsya vpervye. Takzhe vpervye v Rossii teksty soprovozhdayutsya mnogochislennymi illyustraciyami angliyskih, amerikanskih i francuzskih hudozhnikov XIX i nachala XX veka.
«Epatazhnyy», «provokativnyy», «sensacionnyy» — takimi epitetami uzhe dva stoletiya soprovozhdayutsya otzyvy kritikov o romane angliyskogo pisatelya Met'yu Gregori L'yuisa «Monah», kotoryy po vyhode v svet vesnoy 1796 goda v odnochas'e stal bestsellerom i prichinoy gromkogo obshchestvennogo skandala. Istoriya ispanskogo monaha-kapucina Ambrosio — novogo Fausta, zhertvy d'yavol'skih kozney i gubitelya chuzhih zhizney — prinesla dvadcatiletnemu avtoru protivorechivuyu slavu immoralista, bezbozhnika i odnovremenno sozdatelya goticheskogo romana-tragedii, predvoskhitivshego syuzhetnye kollizii romanticheskoy literatury. V nastoyashchee izdanie voshli takzhe raznoobraznye povesti, kotorye predstavlyayut soboy kak original'nye tvoreniya M.G. L'yuisa, tak i ego perevody ili perelozheniya knig nemeckih avtorov. Eti uvlekatel'nye proizvedeniya, v kotoryh bezoshibochno ugadyvaetsya ruka mastera, na russkiy yazyk perevodyatsya vpervye. Takzhe vpervye v Rossii teksty soprovozhdayutsya mnogochislennymi illyustraciyami angliyskih, amerikanskih i francuzskih hudozhnikov XIX i nachala XX veka.
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