Sredi blestyashchih romanistov Viktorianskoy epohi Uil'yam Tekkerey zanimaet samoe pochetnoe mesto i stoit v odnom ryadu s Charl'zom Dikkensom, Sharlottoy Bronte i Elizabet Gaskell. Roman «Zapiski Barri Lindona» (1844), predstavlennyy v nastoyashchem izdanii, leg v osnovu izvestnogo fil'ma Stenli Kubrika (2004), «odnoy iz samyh mnogogrannyh i vyrazitel'nyh kostyumnyh dram v istorii kino». Roman Tekkereya uvidel svet nezadolgo do ego znamenitoy «Yarmarki Tshcheslaviya», na stranicah kotoroy chitatel' poznakomilsya s ocharovatel'noy i neveroyatno predpriimchivoy Rebekkoy Sharp. Proydoha Redmond Barri — ee pryamoy literaturnyy rodstvennik. Istoriya pohozhdeniy irlandskogo avantyurista, ego vzletov i padeniy, v kotoroy avtor obygryvaet kanony semeynoy hroniki i plutovskogo romana, imela neodnoznachnye otzyvy sovremennikov, no spustya neskol'ko let posle publikacii roman byl nazvan «skazochnym podvigom chistoy ironii» i priznan bezuslovnym dostizheniem pisatelya. «Ego genial'nyy dar pokoren ego vole, kak sluga, kotoromu ne dozvolyaetsya, poddavshis' buynomu poryvu, brosat'sya v fantasticheskie kraynosti, on dolzhen dobivat'sya celi, postavlennoy emu i chuvstvom, i rassudkom. Tekkerey nepovtorim. Bol'shego ya ne mogu skazat', men'she skazat' ne zhelayu» (Sharlotta Bronte).
Sredi blestyashchih romanistov Viktorianskoy epohi Uil'yam Tekkerey zanimaet samoe pochetnoe mesto i stoit v odnom ryadu s Charl'zom Dikkensom, Sharlottoy Bronte i Elizabet Gaskell. Roman «Zapiski Barri Lindona» (1844), predstavlennyy v nastoyashchem izdanii, leg v osnovu izvestnogo fil'ma Stenli Kubrika (2004), «odnoy iz samyh mnogogrannyh i vyrazitel'nyh kostyumnyh dram v istorii kino». Roman Tekkereya uvidel svet nezadolgo do ego znamenitoy «Yarmarki Tshcheslaviya», na stranicah kotoroy chitatel' poznakomilsya s ocharovatel'noy i neveroyatno predpriimchivoy Rebekkoy Sharp. Proydoha Redmond Barri — ee pryamoy literaturnyy rodstvennik. Istoriya pohozhdeniy irlandskogo avantyurista, ego vzletov i padeniy, v kotoroy avtor obygryvaet kanony semeynoy hroniki i plutovskogo romana, imela neodnoznachnye otzyvy sovremennikov, no spustya neskol'ko let posle publikacii roman byl nazvan «skazochnym podvigom chistoy ironii» i priznan bezuslovnym dostizheniem pisatelya. «Ego genial'nyy dar pokoren ego vole, kak sluga, kotoromu ne dozvolyaetsya, poddavshis' buynomu poryvu, brosat'sya v fantasticheskie kraynosti, on dolzhen dobivat'sya celi, postavlennoy emu i chuvstvom, i rassudkom. Tekkerey nepovtorim. Bol'shego ya ne mogu skazat', men'she skazat' ne zhelayu» (Sharlotta Bronte).
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