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The Marchesa
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The Marchesa in Chattanooga, TN
Current price: $34.99

Barnes and Noble
The Marchesa in Chattanooga, TN
Current price: $34.99
Loading Inventory...
Size: OS
From the acclaimed author of
The Birth of Venus
and
In the Company of the Courtesan
comes a vibrant exploration of the Italian Renaissance through the character of Isabella d'Este, the first female art collector and patron of her time. Her famed collection has long since dispersed or been lost, but what remains is her correspondence - thousands of letters preserved in a deconsecrated church and convent in the archive of Mantua.
'For the longest time after my death, those who claimed an interest in history showed little interest in me. Or indeed women like me. Nor did they seem to care much about the wonder of our city states: Mantua, Ferrara, Urbino. We may never have been as grand or powerful as Venice or Rome or Florence but our great age - this thing that is now so valued and trumpeted as the Renaissance - would have been a much lesser affair without us.'
The Marchesa
is Renaissance history at its most vivid, an immersive, multi-layered experience that mixes historical fiction with biography, scholarship and imagery, of both the people and the time. It is also a meditation on our attitude to history itself, challenging how far we can set aside our own values and certainties when it comes to understanding those who grew out of very different cultural soil.
The Birth of Venus
and
In the Company of the Courtesan
comes a vibrant exploration of the Italian Renaissance through the character of Isabella d'Este, the first female art collector and patron of her time. Her famed collection has long since dispersed or been lost, but what remains is her correspondence - thousands of letters preserved in a deconsecrated church and convent in the archive of Mantua.
'For the longest time after my death, those who claimed an interest in history showed little interest in me. Or indeed women like me. Nor did they seem to care much about the wonder of our city states: Mantua, Ferrara, Urbino. We may never have been as grand or powerful as Venice or Rome or Florence but our great age - this thing that is now so valued and trumpeted as the Renaissance - would have been a much lesser affair without us.'
The Marchesa
is Renaissance history at its most vivid, an immersive, multi-layered experience that mixes historical fiction with biography, scholarship and imagery, of both the people and the time. It is also a meditation on our attitude to history itself, challenging how far we can set aside our own values and certainties when it comes to understanding those who grew out of very different cultural soil.
From the acclaimed author of
The Birth of Venus
and
In the Company of the Courtesan
comes a vibrant exploration of the Italian Renaissance through the character of Isabella d'Este, the first female art collector and patron of her time. Her famed collection has long since dispersed or been lost, but what remains is her correspondence - thousands of letters preserved in a deconsecrated church and convent in the archive of Mantua.
'For the longest time after my death, those who claimed an interest in history showed little interest in me. Or indeed women like me. Nor did they seem to care much about the wonder of our city states: Mantua, Ferrara, Urbino. We may never have been as grand or powerful as Venice or Rome or Florence but our great age - this thing that is now so valued and trumpeted as the Renaissance - would have been a much lesser affair without us.'
The Marchesa
is Renaissance history at its most vivid, an immersive, multi-layered experience that mixes historical fiction with biography, scholarship and imagery, of both the people and the time. It is also a meditation on our attitude to history itself, challenging how far we can set aside our own values and certainties when it comes to understanding those who grew out of very different cultural soil.
The Birth of Venus
and
In the Company of the Courtesan
comes a vibrant exploration of the Italian Renaissance through the character of Isabella d'Este, the first female art collector and patron of her time. Her famed collection has long since dispersed or been lost, but what remains is her correspondence - thousands of letters preserved in a deconsecrated church and convent in the archive of Mantua.
'For the longest time after my death, those who claimed an interest in history showed little interest in me. Or indeed women like me. Nor did they seem to care much about the wonder of our city states: Mantua, Ferrara, Urbino. We may never have been as grand or powerful as Venice or Rome or Florence but our great age - this thing that is now so valued and trumpeted as the Renaissance - would have been a much lesser affair without us.'
The Marchesa
is Renaissance history at its most vivid, an immersive, multi-layered experience that mixes historical fiction with biography, scholarship and imagery, of both the people and the time. It is also a meditation on our attitude to history itself, challenging how far we can set aside our own values and certainties when it comes to understanding those who grew out of very different cultural soil.

















