Grandioznoe issledovanie zhenskih obrazov v mirovoj kul'ture, v kotorom garvardskij professor, kul'turolog i literaturoved Mariya Tatar brosaet vyzov kanonicheskim arhetipam, opisannym Dzhozefom Kempbellom. Ona analiziruet «puteshestvie geroini» po prostranstvu istorij, chtoby ubeditel'no dokazat', chto zhenshchiny — ne tol'ko materi, suprugi ili bogini-pokrovitel'nicy geroev. Oni mogut srazhat'sya, obmanyvat', puteshestvovat' i rasskazyvat' istorii, rukovodstvuyas' sobstvennymi motivami i interesami, a ne prosto dopolnyat' i vdohnovlyat' muzhchin.
Grandioznoe issledovanie zhenskih obrazov v mirovoj kul'ture, v kotorom garvardskij professor, kul'turolog i literaturoved Mariya Tatar brosaet vyzov kanonicheskim arhetipam, opisannym Dzhozefom Kempbellom. Ona analiziruet «puteshestvie geroini» po prostranstvu istorij, chtoby ubeditel'no dokazat', chto zhenshchiny — ne tol'ko materi, suprugi ili bogini-pokrovitel'nicy geroev. Oni mogut srazhat'sya, obmanyvat', puteshestvovat' i rasskazyvat' istorii, rukovodstvuyas' sobstvennymi motivami i interesami, a ne prosto dopolnyat' i vdohnovlyat' muzhchin.
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