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The End of the Dark Era
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The End of the Dark Era in Chattanooga, TN
Current price: $16.00

Barnes and Noble
The End of the Dark Era in Chattanooga, TN
Current price: $16.00
Loading Inventory...
Size: OS
The End of the Dark Era
is the first book of Mongolian poetry to be published in the United States, and one of the few avant-garde collections to have come from the vast steppes of Mongolia. Poet Tseveendorjin Oidov, who is also one of Mongolia's most renowned painters, traverses the Mongolian dreamscape in poems populated by horses, eagles, and a recurring darkness that the poet dissipates with his startling descriptions and abiding empathy. The short poems of the book's second half are accompanied by thirty‐six of Oidov's abstract line drawings.
is the first book of Mongolian poetry to be published in the United States, and one of the few avant-garde collections to have come from the vast steppes of Mongolia. Poet Tseveendorjin Oidov, who is also one of Mongolia's most renowned painters, traverses the Mongolian dreamscape in poems populated by horses, eagles, and a recurring darkness that the poet dissipates with his startling descriptions and abiding empathy. The short poems of the book's second half are accompanied by thirty‐six of Oidov's abstract line drawings.
The End of the Dark Era
is the first book of Mongolian poetry to be published in the United States, and one of the few avant-garde collections to have come from the vast steppes of Mongolia. Poet Tseveendorjin Oidov, who is also one of Mongolia's most renowned painters, traverses the Mongolian dreamscape in poems populated by horses, eagles, and a recurring darkness that the poet dissipates with his startling descriptions and abiding empathy. The short poems of the book's second half are accompanied by thirty‐six of Oidov's abstract line drawings.
is the first book of Mongolian poetry to be published in the United States, and one of the few avant-garde collections to have come from the vast steppes of Mongolia. Poet Tseveendorjin Oidov, who is also one of Mongolia's most renowned painters, traverses the Mongolian dreamscape in poems populated by horses, eagles, and a recurring darkness that the poet dissipates with his startling descriptions and abiding empathy. The short poems of the book's second half are accompanied by thirty‐six of Oidov's abstract line drawings.







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