The September 11th attacks in 2001 and the subsequent ‘War on Terror’ have had a profound effect on American cinema, and the contemporary Western is no exception. In this book, John White explores how films such as
Open Range, True Grit
and
Jane Got a Gun
reinforce a conservative myth of America exceptionalism; endorsing the use of extreme force in dealing with enemies and highlighting the importance of defending the homeland. Placing their characters within a dark world of confusion and horror, these films reflect the United States’ post-9/11 uncertainties, and the conflict between civilised values and the brutality employed to defend them.