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the Black Butterfly: Brazilian Slavery and Literary Imagination
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the Black Butterfly: Brazilian Slavery and Literary Imagination in Chattanooga, TN
Current price: $32.99
Barnes and Noble
the Black Butterfly: Brazilian Slavery and Literary Imagination in Chattanooga, TN
Current price: $32.99
Loading Inventory...
Size: Paperback
The Black Butterfly
focuses on the slavery writings of three of Brazil’s literary giantsMachado de Assis, Castro Alves, and Euclides da Cunha. These authors wrote in the late nineteenth and early twentieth centuries, as Brazil moved into and then through the 1888 abolition of slavery. Assis was Brazil’s most experimental novelist; Alves was a Romantic poet with passionate liberationist politics, popularly known as “the poet of the slaves”; and da Cunha is known for the masterpiece
Os Sertões
(The Backlands), a work of genius that remains strangely neglected in the scholarship of transatlantic slavery.
Wood finds that all three writers responded to the memory of slavery in ways that departed from their counterparts in Europe and North America, where emancipation has typically been depicted as a moment of closure. He ends by setting up a wider literary context for his core authors by introducing a comparative study of their great literary abolitionist predecessors Luís Gonzaga Pinto da Gama and Joaquim Nabuco.
is a revolutionary text that insists Brazilian culture has always refused a clean break between slavery and its aftermath. Brazilian slavery thus emerges as a living legacy subject to continual renegotiation and reinvention.
focuses on the slavery writings of three of Brazil’s literary giantsMachado de Assis, Castro Alves, and Euclides da Cunha. These authors wrote in the late nineteenth and early twentieth centuries, as Brazil moved into and then through the 1888 abolition of slavery. Assis was Brazil’s most experimental novelist; Alves was a Romantic poet with passionate liberationist politics, popularly known as “the poet of the slaves”; and da Cunha is known for the masterpiece
Os Sertões
(The Backlands), a work of genius that remains strangely neglected in the scholarship of transatlantic slavery.
Wood finds that all three writers responded to the memory of slavery in ways that departed from their counterparts in Europe and North America, where emancipation has typically been depicted as a moment of closure. He ends by setting up a wider literary context for his core authors by introducing a comparative study of their great literary abolitionist predecessors Luís Gonzaga Pinto da Gama and Joaquim Nabuco.
is a revolutionary text that insists Brazilian culture has always refused a clean break between slavery and its aftermath. Brazilian slavery thus emerges as a living legacy subject to continual renegotiation and reinvention.
The Black Butterfly
focuses on the slavery writings of three of Brazil’s literary giantsMachado de Assis, Castro Alves, and Euclides da Cunha. These authors wrote in the late nineteenth and early twentieth centuries, as Brazil moved into and then through the 1888 abolition of slavery. Assis was Brazil’s most experimental novelist; Alves was a Romantic poet with passionate liberationist politics, popularly known as “the poet of the slaves”; and da Cunha is known for the masterpiece
Os Sertões
(The Backlands), a work of genius that remains strangely neglected in the scholarship of transatlantic slavery.
Wood finds that all three writers responded to the memory of slavery in ways that departed from their counterparts in Europe and North America, where emancipation has typically been depicted as a moment of closure. He ends by setting up a wider literary context for his core authors by introducing a comparative study of their great literary abolitionist predecessors Luís Gonzaga Pinto da Gama and Joaquim Nabuco.
is a revolutionary text that insists Brazilian culture has always refused a clean break between slavery and its aftermath. Brazilian slavery thus emerges as a living legacy subject to continual renegotiation and reinvention.
focuses on the slavery writings of three of Brazil’s literary giantsMachado de Assis, Castro Alves, and Euclides da Cunha. These authors wrote in the late nineteenth and early twentieth centuries, as Brazil moved into and then through the 1888 abolition of slavery. Assis was Brazil’s most experimental novelist; Alves was a Romantic poet with passionate liberationist politics, popularly known as “the poet of the slaves”; and da Cunha is known for the masterpiece
Os Sertões
(The Backlands), a work of genius that remains strangely neglected in the scholarship of transatlantic slavery.
Wood finds that all three writers responded to the memory of slavery in ways that departed from their counterparts in Europe and North America, where emancipation has typically been depicted as a moment of closure. He ends by setting up a wider literary context for his core authors by introducing a comparative study of their great literary abolitionist predecessors Luís Gonzaga Pinto da Gama and Joaquim Nabuco.
is a revolutionary text that insists Brazilian culture has always refused a clean break between slavery and its aftermath. Brazilian slavery thus emerges as a living legacy subject to continual renegotiation and reinvention.
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