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Supply Chain Integration in the Building Industry: The Emergence of Integrated and Repetitive Strategies in a Fragmented and Project-Driven Industry
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Supply Chain Integration in the Building Industry: The Emergence of Integrated and Repetitive Strategies in a Fragmented and Project-Driven Industry in Chattanooga, TN
Current price: $116.00
Barnes and Noble
Supply Chain Integration in the Building Industry: The Emergence of Integrated and Repetitive Strategies in a Fragmented and Project-Driven Industry in Chattanooga, TN
Current price: $116.00
Loading Inventory...
Size: OS
The general consensus on composers' conducting of their own works in the 20th century is problematic-to-negative, with
Stravinsky
being a prominent example. Thus, it is a pleasure to encounter this collection of performances conducted by
Arthur Bliss
, released in 2025 to mark the 50th anniversary of his death.
Bliss
' popularity has been hampered, perhaps, by the complexity and density of many of his works, which were mostly in a wiry post-Romantic idiom that was out of fashion for much of his career, although it has shown a remarkable recovery. He proves an excellent conductor of his own music, unraveling its heavy orchestral textures with precision and even liveliness. The performances were all recorded in the 1960s or, in one case, 1970.
was in his seventies, but one has the sensation that everything was rehearsed in exacting detail. The highlight, and really a reason all by itself to hear or acquire this album, is the 1996 Proms performance of the
Piano Concerto, Op. 38
, one of the few concertos of the 20th century that many performers have recorded due to sheer technical difficulty.
John Ogdon
is a powerful pianist who gives the work its proper
Liszt
ian feel. The
Colour Symphony
is one of
{|Bliss|}
' more frequently performed pieces, and the lyrical performance here gives listeners as good a chance as any of guessing which color corresponds to which movement. There are some unusual works as well; the choral symphony-with-narrator
{|Morning Heroes|}
, with texts drawn on poets from
{|Homer|}
to
{|Walt Whitman|}
, describes ancient Greece but has unmistakable overtones of
' own experiences in World War I. The
{|Concerto for two pianos and orchestra|}
is arranged here for three hands and tightly performed by
{|Cyril Smith|}
and
{|Phyllis Sellick|}
. This recording, which made classical best-seller charts in the spring of 2025, is not only an important historical document but also a strong candidate for any listener wanting to make or renew an acquaintance with
' music. The live BBC recordings are all quite adequate and indeed are above average for their time. ~ James Manheim
Stravinsky
being a prominent example. Thus, it is a pleasure to encounter this collection of performances conducted by
Arthur Bliss
, released in 2025 to mark the 50th anniversary of his death.
Bliss
' popularity has been hampered, perhaps, by the complexity and density of many of his works, which were mostly in a wiry post-Romantic idiom that was out of fashion for much of his career, although it has shown a remarkable recovery. He proves an excellent conductor of his own music, unraveling its heavy orchestral textures with precision and even liveliness. The performances were all recorded in the 1960s or, in one case, 1970.
was in his seventies, but one has the sensation that everything was rehearsed in exacting detail. The highlight, and really a reason all by itself to hear or acquire this album, is the 1996 Proms performance of the
Piano Concerto, Op. 38
, one of the few concertos of the 20th century that many performers have recorded due to sheer technical difficulty.
John Ogdon
is a powerful pianist who gives the work its proper
Liszt
ian feel. The
Colour Symphony
is one of
{|Bliss|}
' more frequently performed pieces, and the lyrical performance here gives listeners as good a chance as any of guessing which color corresponds to which movement. There are some unusual works as well; the choral symphony-with-narrator
{|Morning Heroes|}
, with texts drawn on poets from
{|Homer|}
to
{|Walt Whitman|}
, describes ancient Greece but has unmistakable overtones of
' own experiences in World War I. The
{|Concerto for two pianos and orchestra|}
is arranged here for three hands and tightly performed by
{|Cyril Smith|}
and
{|Phyllis Sellick|}
. This recording, which made classical best-seller charts in the spring of 2025, is not only an important historical document but also a strong candidate for any listener wanting to make or renew an acquaintance with
' music. The live BBC recordings are all quite adequate and indeed are above average for their time. ~ James Manheim
The general consensus on composers' conducting of their own works in the 20th century is problematic-to-negative, with
Stravinsky
being a prominent example. Thus, it is a pleasure to encounter this collection of performances conducted by
Arthur Bliss
, released in 2025 to mark the 50th anniversary of his death.
Bliss
' popularity has been hampered, perhaps, by the complexity and density of many of his works, which were mostly in a wiry post-Romantic idiom that was out of fashion for much of his career, although it has shown a remarkable recovery. He proves an excellent conductor of his own music, unraveling its heavy orchestral textures with precision and even liveliness. The performances were all recorded in the 1960s or, in one case, 1970.
was in his seventies, but one has the sensation that everything was rehearsed in exacting detail. The highlight, and really a reason all by itself to hear or acquire this album, is the 1996 Proms performance of the
Piano Concerto, Op. 38
, one of the few concertos of the 20th century that many performers have recorded due to sheer technical difficulty.
John Ogdon
is a powerful pianist who gives the work its proper
Liszt
ian feel. The
Colour Symphony
is one of
{|Bliss|}
' more frequently performed pieces, and the lyrical performance here gives listeners as good a chance as any of guessing which color corresponds to which movement. There are some unusual works as well; the choral symphony-with-narrator
{|Morning Heroes|}
, with texts drawn on poets from
{|Homer|}
to
{|Walt Whitman|}
, describes ancient Greece but has unmistakable overtones of
' own experiences in World War I. The
{|Concerto for two pianos and orchestra|}
is arranged here for three hands and tightly performed by
{|Cyril Smith|}
and
{|Phyllis Sellick|}
. This recording, which made classical best-seller charts in the spring of 2025, is not only an important historical document but also a strong candidate for any listener wanting to make or renew an acquaintance with
' music. The live BBC recordings are all quite adequate and indeed are above average for their time. ~ James Manheim
Stravinsky
being a prominent example. Thus, it is a pleasure to encounter this collection of performances conducted by
Arthur Bliss
, released in 2025 to mark the 50th anniversary of his death.
Bliss
' popularity has been hampered, perhaps, by the complexity and density of many of his works, which were mostly in a wiry post-Romantic idiom that was out of fashion for much of his career, although it has shown a remarkable recovery. He proves an excellent conductor of his own music, unraveling its heavy orchestral textures with precision and even liveliness. The performances were all recorded in the 1960s or, in one case, 1970.
was in his seventies, but one has the sensation that everything was rehearsed in exacting detail. The highlight, and really a reason all by itself to hear or acquire this album, is the 1996 Proms performance of the
Piano Concerto, Op. 38
, one of the few concertos of the 20th century that many performers have recorded due to sheer technical difficulty.
John Ogdon
is a powerful pianist who gives the work its proper
Liszt
ian feel. The
Colour Symphony
is one of
{|Bliss|}
' more frequently performed pieces, and the lyrical performance here gives listeners as good a chance as any of guessing which color corresponds to which movement. There are some unusual works as well; the choral symphony-with-narrator
{|Morning Heroes|}
, with texts drawn on poets from
{|Homer|}
to
{|Walt Whitman|}
, describes ancient Greece but has unmistakable overtones of
' own experiences in World War I. The
{|Concerto for two pianos and orchestra|}
is arranged here for three hands and tightly performed by
{|Cyril Smith|}
and
{|Phyllis Sellick|}
. This recording, which made classical best-seller charts in the spring of 2025, is not only an important historical document but also a strong candidate for any listener wanting to make or renew an acquaintance with
' music. The live BBC recordings are all quite adequate and indeed are above average for their time. ~ James Manheim
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