Specimens of the Ancient Sculpture and Painting, now Remaining This Kingdom, From Earliest Period to Reign Henry ye VIII, Consisting Statues, Bassorelievos, ect a Description Each Subject
Specimens of the Ancient Sculpture and Painting, now Remaining This Kingdom, From Earliest Period to Reign Henry ye VIII, Consisting Statues, Bassorelievos, ect a Description Each Subject in Chattanooga, TN
Specimens of the Ancient Sculpture and Painting, now Remaining This Kingdom, From Earliest Period to Reign Henry ye VIII, Consisting Statues, Bassorelievos, ect a Description Each Subject in Chattanooga, TN
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT090203Issued in parts. The titlepages are engraved. Vol. 2 dated 1787, but the dates of the plates in vol.1 range from 1780-86, in vol.2 from 1787-94. Dedication dated: Nov. 1786. With a list of subscribers to each vol. Some plates coloured.London: published as the act directs by John Carter, Wood St. Westminster, 1780-87 [1780-94]. 2v., plates; 2°
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT090203Issued in parts. The titlepages are engraved. Vol. 2 dated 1787, but the dates of the plates in vol.1 range from 1780-86, in vol.2 from 1787-94. Dedication dated: Nov. 1786. With a list of subscribers to each vol. Some plates coloured.London: published as the act directs by John Carter, Wood St. Westminster, 1780-87 [1780-94]. 2v., plates; 2°
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