«Slivovyy kalendar' lyubvi» — vydayushcheesya proizvedenie tradicionnoy yaponskoy prozy i odin iz luchshih obrazcov v zhanre nindzyobon, «povesti o chuvstvah». Tamenaga Syunsuy (psevdonim yaponskogo romanista Sasaki Sadataki) sozdal dvenadcat' «svitkov» — po chislu mesyacev — rasskazov o zhizni v stolichnom Edo, znamenitom, sredi prochego, svoim kvartalom Yosivara, predlagavshim uveseleniya kak na izyskannyy, tak i na netrebovatel'nyy vkus. Vysokorodnye gospoda i prostolyudiny, geyshi vysshego ranga i obychnye zhenshchiny — vsekh ih ob"edinyaet lyubov', kotoraya ne priznaet granic i kazhdoy vesnoy probuzhdaetsya s novoy siloy, raspuskayas' s pervymi cvetami slivy. Uspekh nindzyobon stal odnoy iz prichin goneniy so storony vlastey YAponii, razdrazhennyh populyarnost'yu knig, ne nesushchih dolzhnoy ideynoy nagruzki. V 1842 godu pisateli, izdateli i hudozhniki byli dazhe privlecheny k otvetstvennosti i podvergalis' nakazaniyam i shtrafam, a knigi i pechatnye doski massovo szhigalis'. Tamenaga Syunsuy byl sredi tekh, kto podvergsya osobenno zhestokim repressiyam i vskore umer, ne perenesya potryaseniya. Lish' k seredine veka pisateli YAponii vnov' smogli vernut'sya k zapretnym temam i vozrodit' legkie zhanry, v tom chisle nindzyobon. V oformlenii knigi ispol'zovany tradicionnye yaponskie gravyury, ukrashavshie original'noe izdanie 1833 goda.
«Slivovyy kalendar' lyubvi» — vydayushcheesya proizvedenie tradicionnoy yaponskoy prozy i odin iz luchshih obrazcov v zhanre nindzyobon, «povesti o chuvstvah». Tamenaga Syunsuy (psevdonim yaponskogo romanista Sasaki Sadataki) sozdal dvenadcat' «svitkov» — po chislu mesyacev — rasskazov o zhizni v stolichnom Edo, znamenitom, sredi prochego, svoim kvartalom Yosivara, predlagavshim uveseleniya kak na izyskannyy, tak i na netrebovatel'nyy vkus. Vysokorodnye gospoda i prostolyudiny, geyshi vysshego ranga i obychnye zhenshchiny — vsekh ih ob"edinyaet lyubov', kotoraya ne priznaet granic i kazhdoy vesnoy probuzhdaetsya s novoy siloy, raspuskayas' s pervymi cvetami slivy. Uspekh nindzyobon stal odnoy iz prichin goneniy so storony vlastey YAponii, razdrazhennyh populyarnost'yu knig, ne nesushchih dolzhnoy ideynoy nagruzki. V 1842 godu pisateli, izdateli i hudozhniki byli dazhe privlecheny k otvetstvennosti i podvergalis' nakazaniyam i shtrafam, a knigi i pechatnye doski massovo szhigalis'. Tamenaga Syunsuy byl sredi tekh, kto podvergsya osobenno zhestokim repressiyam i vskore umer, ne perenesya potryaseniya. Lish' k seredine veka pisateli YAponii vnov' smogli vernut'sya k zapretnym temam i vozrodit' legkie zhanry, v tom chisle nindzyobon. V oformlenii knigi ispol'zovany tradicionnye yaponskie gravyury, ukrashavshie original'noe izdanie 1833 goda.
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