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Situation Dangerous
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Situation Dangerous in Chattanooga, TN
Current price: $29.99

Barnes and Noble
Situation Dangerous in Chattanooga, TN
Current price: $29.99
Loading Inventory...
Size: OS
Situation Dangerous
is the follow-up to 1997's
Black Light Syndrome
from this powerful trio of seasoned rock musicians. The incendiary title track leads off the album with guitarist
Steve Stevens
demonstrating that he's capable of much more than testosterone-laden
Billy Idol
riffs of which he was most commonly associated prior to the formation of this band. Here he conjures up comparisons to manic sound frequently delivered by
Robert Fripp
particularly on
King Crimson
albums like
Red
and their reformed, early-'80s period. But in subsequent tracks,
Stevens
plays jazz, fusion, classic rock, blues-rock, and flamenco passages with accomplished ease.
"Crash"
sounds like an outtake from or a salute to the lone classic recording by an earlier supergroup,
Armageddon
. In other instances he combines the fusion and flamenco leanings of guitarists like
Al DiMeola
and
John McLaughlin
. This is an instrumental album, so it is imperative that the tracks display a diversity of tempo and style to distinguish themselves from one another. Historically, instrumental rock trios haven't been overly successful in that regard. These three, however, pull it off admirably.
Tony Levin
has been one of the most creative and "in-demand" bassists for the past 25 years and his entire repertoire of influences and skills seems to be encapsulated on this recording. He also tackles the variety of compositions in his inimitable smooth yet complex manner. Drummer
Terry Bozzio
offers his most explosive and perhaps his most defining work since
Danger Money
from 1979, but it's
' versatility that dictates the course of this album and its ultimate success. ~ Dave Sleger
is the follow-up to 1997's
Black Light Syndrome
from this powerful trio of seasoned rock musicians. The incendiary title track leads off the album with guitarist
Steve Stevens
demonstrating that he's capable of much more than testosterone-laden
Billy Idol
riffs of which he was most commonly associated prior to the formation of this band. Here he conjures up comparisons to manic sound frequently delivered by
Robert Fripp
particularly on
King Crimson
albums like
Red
and their reformed, early-'80s period. But in subsequent tracks,
Stevens
plays jazz, fusion, classic rock, blues-rock, and flamenco passages with accomplished ease.
"Crash"
sounds like an outtake from or a salute to the lone classic recording by an earlier supergroup,
Armageddon
. In other instances he combines the fusion and flamenco leanings of guitarists like
Al DiMeola
and
John McLaughlin
. This is an instrumental album, so it is imperative that the tracks display a diversity of tempo and style to distinguish themselves from one another. Historically, instrumental rock trios haven't been overly successful in that regard. These three, however, pull it off admirably.
Tony Levin
has been one of the most creative and "in-demand" bassists for the past 25 years and his entire repertoire of influences and skills seems to be encapsulated on this recording. He also tackles the variety of compositions in his inimitable smooth yet complex manner. Drummer
Terry Bozzio
offers his most explosive and perhaps his most defining work since
Danger Money
from 1979, but it's
' versatility that dictates the course of this album and its ultimate success. ~ Dave Sleger
Situation Dangerous
is the follow-up to 1997's
Black Light Syndrome
from this powerful trio of seasoned rock musicians. The incendiary title track leads off the album with guitarist
Steve Stevens
demonstrating that he's capable of much more than testosterone-laden
Billy Idol
riffs of which he was most commonly associated prior to the formation of this band. Here he conjures up comparisons to manic sound frequently delivered by
Robert Fripp
particularly on
King Crimson
albums like
Red
and their reformed, early-'80s period. But in subsequent tracks,
Stevens
plays jazz, fusion, classic rock, blues-rock, and flamenco passages with accomplished ease.
"Crash"
sounds like an outtake from or a salute to the lone classic recording by an earlier supergroup,
Armageddon
. In other instances he combines the fusion and flamenco leanings of guitarists like
Al DiMeola
and
John McLaughlin
. This is an instrumental album, so it is imperative that the tracks display a diversity of tempo and style to distinguish themselves from one another. Historically, instrumental rock trios haven't been overly successful in that regard. These three, however, pull it off admirably.
Tony Levin
has been one of the most creative and "in-demand" bassists for the past 25 years and his entire repertoire of influences and skills seems to be encapsulated on this recording. He also tackles the variety of compositions in his inimitable smooth yet complex manner. Drummer
Terry Bozzio
offers his most explosive and perhaps his most defining work since
Danger Money
from 1979, but it's
' versatility that dictates the course of this album and its ultimate success. ~ Dave Sleger
is the follow-up to 1997's
Black Light Syndrome
from this powerful trio of seasoned rock musicians. The incendiary title track leads off the album with guitarist
Steve Stevens
demonstrating that he's capable of much more than testosterone-laden
Billy Idol
riffs of which he was most commonly associated prior to the formation of this band. Here he conjures up comparisons to manic sound frequently delivered by
Robert Fripp
particularly on
King Crimson
albums like
Red
and their reformed, early-'80s period. But in subsequent tracks,
Stevens
plays jazz, fusion, classic rock, blues-rock, and flamenco passages with accomplished ease.
"Crash"
sounds like an outtake from or a salute to the lone classic recording by an earlier supergroup,
Armageddon
. In other instances he combines the fusion and flamenco leanings of guitarists like
Al DiMeola
and
John McLaughlin
. This is an instrumental album, so it is imperative that the tracks display a diversity of tempo and style to distinguish themselves from one another. Historically, instrumental rock trios haven't been overly successful in that regard. These three, however, pull it off admirably.
Tony Levin
has been one of the most creative and "in-demand" bassists for the past 25 years and his entire repertoire of influences and skills seems to be encapsulated on this recording. He also tackles the variety of compositions in his inimitable smooth yet complex manner. Drummer
Terry Bozzio
offers his most explosive and perhaps his most defining work since
Danger Money
from 1979, but it's
' versatility that dictates the course of this album and its ultimate success. ~ Dave Sleger

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