In an all too small discography,
Freddie Redd
's
Shades of Redd
is without a doubt his crowning achievement. Completed after a successful stint composing music for the stage play
The Connection
,
Redd
wrote music specifically geared for his two formidable front line saxophonists -- emerging alto giant
Jackie McLean
and the unsung hero of the tenor,
Tina Brooks
.
, bassist
Paul Chambers
, and drummer
Louis Hayes
, fresh out of the Detroit scene, took New York City by storm playing clubs and working with
when he was not doing production music. All of these tracks, originals by
, are brimming with the hope, optimism, and fresh ideas of the early '60s, music perfectly rendered and representative of the time period. The darting, daring, tart sweet alto of
McLean
and the robust, lean, protein enriched tenor of
Brooks
fit beautifully together when they play in unison, and they do that a lot. The calm, lovely, then bursting into bop piece
"The Thespian"
sets the tone, followed by the swinging, head nodding
"Blues-Blues-Blues,"
and the happy, hip, swing/shuffle
"Melanie"
brings the cream to the top. The teamwork displayed here rivals any seasoned veteran band of the era.
's piano playing, never spectacular or boisterous, is instead literate and street smart, and comes to the forefront in any tempo, whether the fleet hard bopper to Latin tinged near-show tune
"Swift"
and the spicy calypso to swing strutter
"Ole,"
where
steps up and takes a marvelous
John Coltrane
cum
Hank Mobley
solo.
's feature on
"Just a Ballad for My Baby"
illustrates his unique style, slightly but purposefully using microtones that might seem somewhat off-putting to the non-cognoscenti, but is remarkable upon closer inspection. Considering this is 1960, and
Ornette Coleman
was also making his way beyond conventional means,
is innovating just as much. Stretched out alternate takes of
and
"Ole"
are included on this single CD, and are also available on
's 1988
Mosaic
label reissue of his complete
Blue Note
efforts.
is still alive as of this writing, performing occasionally in his Los Angeles area home and in New York in 2007 for a revisited production of
, his zenith as a jazz musician, would be a wonderful addition to any collection, and shows that the lesser known musicians have plenty of music to play, in addition to a unique perspective aside from the giants of this music. ~ Michael G. Nastos