The nimble, creative spirit of Québécois screenwriter and filmmaker, Denis Villeneuve, is reflected in his varied body of work. Villeneuve explores questions of alterity and interculturality, of language and identity, of memory and forgetting, of violence and retribution, throughout his filmography:
Un 32 août sur terre
(1998),
Maelström
(2000),
Polytechnique
(2009),
Incendies
(2010),
Enemy
(2013),
Prisoners
Sicario
(2015),
Arrival
(2016),
Blade
Runner 2049
(2017) and
Dune: Part 1
(2021).
This edited collection brings together original works of scholarship on all of Villeneuve’s feature films from different theoretical approaches, in order to deepen our understanding of this important and yet relatively understudied director; read individually or as a collective whole, these studies reveal important elements of Villeneuve’s filmic practice, as well as the evolutions of his oeuvre.