A detailed examination of Beckett's dramas based on reductionist models in the arts and sciences. Various experimental aspects of composition and production are shown to reflect Beckett's search for a minimal theater of silence and inaction, as well as his epistemological uncertainty.
A detailed examination of Beckett's dramas based on reductionist models in the arts and sciences. Various experimental aspects of composition and production are shown to reflect Beckett's search for a minimal theater of silence and inaction, as well as his epistemological uncertainty.
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