Home
Pumps!
Barnes and Noble
Loading Inventory...
Pumps! in Chattanooga, TN
Current price: $16.99

Barnes and Noble
Pumps! in Chattanooga, TN
Current price: $16.99
Loading Inventory...
Size: OS
Full of subsonic bass rumble and glitchy polyrhythms,
Growing'
s debut for
Vice
finds the group fully transformed from their modest beginnings as a band using guitar crunch to make ambient soundscapes into a fully focused (and completely trippy) electronic force.
Pumps!
picks up where 2008's
All the Way
left off in a wash of a drone and noise, and adds forceful beats throughout. Driven by a pulsing kick,
s palette of fuzz shards, goopy gurgles, and vacuum suction is transformed from whispers in the ether to block-rocking beats from a Martian club. As well as becoming more danceable (in a freaky, frenetic way), the band incorporates a vocalist,
Sadie Laska
, who delivers spoken echoes in the styling of
Miss Kittin
over
"Camera 84"'
s techno pacing. It's not as if the duo has gone all FM radio, though. Everything is twisted and blurred to the point that only the patient and experimental-minded will sift through the murk to find the hidden grooves. Closer
"Mind Eraser"
manipulates the phrase "I love drugs" in and out of a clubby dub-skitter, along with what might be German elves yelling in an echo chamber. Yeah, it's that stoney and weird, but it's also really, really good. Potentially their most accomplished work. ~ Jason Lymangrover
Growing'
s debut for
Vice
finds the group fully transformed from their modest beginnings as a band using guitar crunch to make ambient soundscapes into a fully focused (and completely trippy) electronic force.
Pumps!
picks up where 2008's
All the Way
left off in a wash of a drone and noise, and adds forceful beats throughout. Driven by a pulsing kick,
s palette of fuzz shards, goopy gurgles, and vacuum suction is transformed from whispers in the ether to block-rocking beats from a Martian club. As well as becoming more danceable (in a freaky, frenetic way), the band incorporates a vocalist,
Sadie Laska
, who delivers spoken echoes in the styling of
Miss Kittin
over
"Camera 84"'
s techno pacing. It's not as if the duo has gone all FM radio, though. Everything is twisted and blurred to the point that only the patient and experimental-minded will sift through the murk to find the hidden grooves. Closer
"Mind Eraser"
manipulates the phrase "I love drugs" in and out of a clubby dub-skitter, along with what might be German elves yelling in an echo chamber. Yeah, it's that stoney and weird, but it's also really, really good. Potentially their most accomplished work. ~ Jason Lymangrover
Full of subsonic bass rumble and glitchy polyrhythms,
Growing'
s debut for
Vice
finds the group fully transformed from their modest beginnings as a band using guitar crunch to make ambient soundscapes into a fully focused (and completely trippy) electronic force.
Pumps!
picks up where 2008's
All the Way
left off in a wash of a drone and noise, and adds forceful beats throughout. Driven by a pulsing kick,
s palette of fuzz shards, goopy gurgles, and vacuum suction is transformed from whispers in the ether to block-rocking beats from a Martian club. As well as becoming more danceable (in a freaky, frenetic way), the band incorporates a vocalist,
Sadie Laska
, who delivers spoken echoes in the styling of
Miss Kittin
over
"Camera 84"'
s techno pacing. It's not as if the duo has gone all FM radio, though. Everything is twisted and blurred to the point that only the patient and experimental-minded will sift through the murk to find the hidden grooves. Closer
"Mind Eraser"
manipulates the phrase "I love drugs" in and out of a clubby dub-skitter, along with what might be German elves yelling in an echo chamber. Yeah, it's that stoney and weird, but it's also really, really good. Potentially their most accomplished work. ~ Jason Lymangrover
Growing'
s debut for
Vice
finds the group fully transformed from their modest beginnings as a band using guitar crunch to make ambient soundscapes into a fully focused (and completely trippy) electronic force.
Pumps!
picks up where 2008's
All the Way
left off in a wash of a drone and noise, and adds forceful beats throughout. Driven by a pulsing kick,
s palette of fuzz shards, goopy gurgles, and vacuum suction is transformed from whispers in the ether to block-rocking beats from a Martian club. As well as becoming more danceable (in a freaky, frenetic way), the band incorporates a vocalist,
Sadie Laska
, who delivers spoken echoes in the styling of
Miss Kittin
over
"Camera 84"'
s techno pacing. It's not as if the duo has gone all FM radio, though. Everything is twisted and blurred to the point that only the patient and experimental-minded will sift through the murk to find the hidden grooves. Closer
"Mind Eraser"
manipulates the phrase "I love drugs" in and out of a clubby dub-skitter, along with what might be German elves yelling in an echo chamber. Yeah, it's that stoney and weird, but it's also really, really good. Potentially their most accomplished work. ~ Jason Lymangrover





![C'mon [Barnes & Noble Exclusive]](https://prodimage.images-bn.com/pimages/0751937362326_p0_v1_s600x595.jpg)
![Last Bell [Barnes & Noble Exclusive]](https://prodimage.images-bn.com/pimages/0198704145698_p0_v1_s600x595.jpg)
![Old Sock [Barnes & Noble Exclusive]](https://prodimage.images-bn.com/pimages/0197188216498_p0_v1_s600x595.jpg)
![Echo [II] [Barnes & Noble Exclusive]](https://prodimage.images-bn.com/pimages/0198704375095_p0_v2_s600x595.jpg)
![Perfect Lie [Barnes & Noble Exclusive]](https://prodimage.images-bn.com/pimages/0602498868737_p0_v1_s600x595.jpg)
![Orpheus Descending [Barnes & Noble Exclusive]](https://prodimage.images-bn.com/pimages/0602455291592_p0_v1_s600x595.jpg)






