This open access book offers the first indepth appraisal of the photographic archive of Frank Scholten (1881–1942), a queer Dutch photographer and Catholic convert whose work in Palestine between 1921 and 1923 provides a remarkable lens on the intersecting dynamics of modernity, religion, colonialism, and visual culture. Drawing on over 26,000 photographs, it situates Scholten's work within transnational religious, colonial, and nationalist networks.Employing a relational methodology, Photographing Biblical Modernity treats photography not merely as visual documentation but as a site of layered cultural encounters shaped by the movements of people, ideas, and ideologies. It interrogates biblical visuality, the performance of indigeneity, intercommunal relations, and the gendered politics of labour and nationalism. Through interdisciplinary engagement with visual culture, Middle East studies, and gender theory, this book considers how Scholten's positionality offers insights into both the granular details of Palestinian society and broader macrohistorical shifts during a period of profound transition.Rather than framing Palestine as a biblical relic, Scholten's photographs reveal a socially and politically complex society under early British Mandate rule. Ultimately, this book positions Scholten's archive as a vital historical source for understanding the layered and contested narratives that have defined Palestine's modern history. The eBook editions of this book are available open access under a CC BYNCND 4.0 licence on bloomsburycollections.com.
This open access book offers the first indepth appraisal of the photographic archive of Frank Scholten (1881–1942), a queer Dutch photographer and Catholic convert whose work in Palestine between 1921 and 1923 provides a remarkable lens on the intersecting dynamics of modernity, religion, colonialism, and visual culture. Drawing on over 26,000 photographs, it situates Scholten's work within transnational religious, colonial, and nationalist networks.Employing a relational methodology, Photographing Biblical Modernity treats photography not merely as visual documentation but as a site of layered cultural encounters shaped by the movements of people, ideas, and ideologies. It interrogates biblical visuality, the performance of indigeneity, intercommunal relations, and the gendered politics of labour and nationalism. Through interdisciplinary engagement with visual culture, Middle East studies, and gender theory, this book considers how Scholten's positionality offers insights into both the granular details of Palestinian society and broader macrohistorical shifts during a period of profound transition.Rather than framing Palestine as a biblical relic, Scholten's photographs reveal a socially and politically complex society under early British Mandate rule. Ultimately, this book positions Scholten's archive as a vital historical source for understanding the layered and contested narratives that have defined Palestine's modern history. The eBook editions of this book are available open access under a CC BYNCND 4.0 licence on bloomsburycollections.com.
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