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Out of Sight
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Out of Sight in Chattanooga, TN
Current price: $23.99

Barnes and Noble
Out of Sight in Chattanooga, TN
Current price: $23.99
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Size: OS
At the tail end of his teens when he founded the beloved Australian indie label
Chapter Music
in 1992,
Guy Blackman
had also spent time in the Melbourne indie pop bands
Sleepy Township
and
Minimum Chips
by the time he finally released his first solo album. Introspective, charmingly wry, and vulnerable in character, 2008's
Adult Baby
(
Blackman
would later reveal) left him feeling "a bit scarred," a reference to the reception of some of the album's personal queer perspectives. Not eager to make more music of his own, he threw his energies into label operations until, about 15 years later, changes in the sociopolitical landscape and within his own attitude prompted him to re-enter the songwriting ring. His first album in 17 years,
Out of Sight
was recorded between 2022 and 2024 with
Good Morning
's
Liam Parsons
Stefan Blair
(in Melbourne) and
the Ocean Party
Liam Halliwell
(in London). Included in the album's bittersweet, self-conscious remembrances and observations -- 14 in all -- and previewing its dry humor is a duet with French musician
Julien Gasc
Stereolab
,
Aquaserge
) called "Let Me Let You Let Me Down." A melancholy keyboard tune with programmed drums, its make-do arrangement and imperfect vocals are indicative of the album's winning old-school-indie pop sensibility. The warmer and livelier "Don't Ask Don't Tell" is not about military service but rather allowing partners to keep their secrets, while "Dollar Bills" gossips about guys at the bar. Also included are songs about "Men's Hair" and "Grinding My Teeth" as well as "Bramley River Road," a song that rhymes "all agree," "you and me," and "chemotherapy." After revealing self-depreciating truths like "It Hurts Me to Sing" and "I Love Myself for You" ("'Cause when I do, pretending makes it true"),
closes
with the dramatic strings-accompanied entry "Really I'm Fine."
's final new release as the label switches focus to reissues and maintaining its back catalog,
may well make fans of D.I.Y.-style indie pop and Charlie Brown-type heroes mourn the nearly two decades of potential
albums that never came to pass. ~ Marcy Donelson
Chapter Music
in 1992,
Guy Blackman
had also spent time in the Melbourne indie pop bands
Sleepy Township
and
Minimum Chips
by the time he finally released his first solo album. Introspective, charmingly wry, and vulnerable in character, 2008's
Adult Baby
(
Blackman
would later reveal) left him feeling "a bit scarred," a reference to the reception of some of the album's personal queer perspectives. Not eager to make more music of his own, he threw his energies into label operations until, about 15 years later, changes in the sociopolitical landscape and within his own attitude prompted him to re-enter the songwriting ring. His first album in 17 years,
Out of Sight
was recorded between 2022 and 2024 with
Good Morning
's
Liam Parsons
Stefan Blair
(in Melbourne) and
the Ocean Party
Liam Halliwell
(in London). Included in the album's bittersweet, self-conscious remembrances and observations -- 14 in all -- and previewing its dry humor is a duet with French musician
Julien Gasc
Stereolab
,
Aquaserge
) called "Let Me Let You Let Me Down." A melancholy keyboard tune with programmed drums, its make-do arrangement and imperfect vocals are indicative of the album's winning old-school-indie pop sensibility. The warmer and livelier "Don't Ask Don't Tell" is not about military service but rather allowing partners to keep their secrets, while "Dollar Bills" gossips about guys at the bar. Also included are songs about "Men's Hair" and "Grinding My Teeth" as well as "Bramley River Road," a song that rhymes "all agree," "you and me," and "chemotherapy." After revealing self-depreciating truths like "It Hurts Me to Sing" and "I Love Myself for You" ("'Cause when I do, pretending makes it true"),
closes
with the dramatic strings-accompanied entry "Really I'm Fine."
's final new release as the label switches focus to reissues and maintaining its back catalog,
may well make fans of D.I.Y.-style indie pop and Charlie Brown-type heroes mourn the nearly two decades of potential
albums that never came to pass. ~ Marcy Donelson
At the tail end of his teens when he founded the beloved Australian indie label
Chapter Music
in 1992,
Guy Blackman
had also spent time in the Melbourne indie pop bands
Sleepy Township
and
Minimum Chips
by the time he finally released his first solo album. Introspective, charmingly wry, and vulnerable in character, 2008's
Adult Baby
(
Blackman
would later reveal) left him feeling "a bit scarred," a reference to the reception of some of the album's personal queer perspectives. Not eager to make more music of his own, he threw his energies into label operations until, about 15 years later, changes in the sociopolitical landscape and within his own attitude prompted him to re-enter the songwriting ring. His first album in 17 years,
Out of Sight
was recorded between 2022 and 2024 with
Good Morning
's
Liam Parsons
Stefan Blair
(in Melbourne) and
the Ocean Party
Liam Halliwell
(in London). Included in the album's bittersweet, self-conscious remembrances and observations -- 14 in all -- and previewing its dry humor is a duet with French musician
Julien Gasc
Stereolab
,
Aquaserge
) called "Let Me Let You Let Me Down." A melancholy keyboard tune with programmed drums, its make-do arrangement and imperfect vocals are indicative of the album's winning old-school-indie pop sensibility. The warmer and livelier "Don't Ask Don't Tell" is not about military service but rather allowing partners to keep their secrets, while "Dollar Bills" gossips about guys at the bar. Also included are songs about "Men's Hair" and "Grinding My Teeth" as well as "Bramley River Road," a song that rhymes "all agree," "you and me," and "chemotherapy." After revealing self-depreciating truths like "It Hurts Me to Sing" and "I Love Myself for You" ("'Cause when I do, pretending makes it true"),
closes
with the dramatic strings-accompanied entry "Really I'm Fine."
's final new release as the label switches focus to reissues and maintaining its back catalog,
may well make fans of D.I.Y.-style indie pop and Charlie Brown-type heroes mourn the nearly two decades of potential
albums that never came to pass. ~ Marcy Donelson
Chapter Music
in 1992,
Guy Blackman
had also spent time in the Melbourne indie pop bands
Sleepy Township
and
Minimum Chips
by the time he finally released his first solo album. Introspective, charmingly wry, and vulnerable in character, 2008's
Adult Baby
(
Blackman
would later reveal) left him feeling "a bit scarred," a reference to the reception of some of the album's personal queer perspectives. Not eager to make more music of his own, he threw his energies into label operations until, about 15 years later, changes in the sociopolitical landscape and within his own attitude prompted him to re-enter the songwriting ring. His first album in 17 years,
Out of Sight
was recorded between 2022 and 2024 with
Good Morning
's
Liam Parsons
Stefan Blair
(in Melbourne) and
the Ocean Party
Liam Halliwell
(in London). Included in the album's bittersweet, self-conscious remembrances and observations -- 14 in all -- and previewing its dry humor is a duet with French musician
Julien Gasc
Stereolab
,
Aquaserge
) called "Let Me Let You Let Me Down." A melancholy keyboard tune with programmed drums, its make-do arrangement and imperfect vocals are indicative of the album's winning old-school-indie pop sensibility. The warmer and livelier "Don't Ask Don't Tell" is not about military service but rather allowing partners to keep their secrets, while "Dollar Bills" gossips about guys at the bar. Also included are songs about "Men's Hair" and "Grinding My Teeth" as well as "Bramley River Road," a song that rhymes "all agree," "you and me," and "chemotherapy." After revealing self-depreciating truths like "It Hurts Me to Sing" and "I Love Myself for You" ("'Cause when I do, pretending makes it true"),
closes
with the dramatic strings-accompanied entry "Really I'm Fine."
's final new release as the label switches focus to reissues and maintaining its back catalog,
may well make fans of D.I.Y.-style indie pop and Charlie Brown-type heroes mourn the nearly two decades of potential
albums that never came to pass. ~ Marcy Donelson
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