"Each play I see by Phyllis Nagy confirms me in the belief that she is the finest playwright to have emerged in the 1990s" (Alistair Macaulay,
Financial Times)
Nagy's latest play is a blend of chilling humour and surrealism,
interconnected issues of sex, truth, sincerity, psychology and mystery.
"Whereas much contemporary playwriting is egregious, anorexic, short-winded and uncluttered, Nagy writes sinuously and elegantly, working towards a theatrical coalescence of plot, dialogue and swiftly changing scenic representation that is as exciting as it is unusual" (Michael Coveney)