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Montreux II
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Montreux II in Chattanooga, TN
Current price: $17.99

Barnes and Noble
Montreux II in Chattanooga, TN
Current price: $17.99
Loading Inventory...
Size: CD
Bill Evans
' second recording at the Montreux Jazz Festival in 1970 was a highly anticipated concert, finding the pianist in peak form, accompanied by bassist
Eddie Gomez
and drummer
Marty Morell
. His originals include the rhapsodic
"Very Early,"
the turbulent
"34 Skidoo,"
and an aggressive rendition of
"Peri's Scope."
His introspective take of
Burt Bacharach
's
"Alfie"
is played at a leisurely tempo, while his take of
Earl Zindars
'
"How My Heart Sings"
simmers slowly to a boil. His driving setting of
Johnny Carisi
"Israel"
has an intense
solo and a lively exchange with
Morell
as its centerpiece. While this is a terrific live performance, there are sound problems, including what sounds like bleeding of the stage monitors into the mix, and there are muddy spots in the recording as well, particularly during some of
Gomez
's solos. Master engineer
Rudy Van Gelder
tackled the remastering of this
CTI
LP, but there was only so much he could do with what was preserved on the original tape. ~ Ken Dryden
' second recording at the Montreux Jazz Festival in 1970 was a highly anticipated concert, finding the pianist in peak form, accompanied by bassist
Eddie Gomez
and drummer
Marty Morell
. His originals include the rhapsodic
"Very Early,"
the turbulent
"34 Skidoo,"
and an aggressive rendition of
"Peri's Scope."
His introspective take of
Burt Bacharach
's
"Alfie"
is played at a leisurely tempo, while his take of
Earl Zindars
'
"How My Heart Sings"
simmers slowly to a boil. His driving setting of
Johnny Carisi
"Israel"
has an intense
solo and a lively exchange with
Morell
as its centerpiece. While this is a terrific live performance, there are sound problems, including what sounds like bleeding of the stage monitors into the mix, and there are muddy spots in the recording as well, particularly during some of
Gomez
's solos. Master engineer
Rudy Van Gelder
tackled the remastering of this
CTI
LP, but there was only so much he could do with what was preserved on the original tape. ~ Ken Dryden
Bill Evans
' second recording at the Montreux Jazz Festival in 1970 was a highly anticipated concert, finding the pianist in peak form, accompanied by bassist
Eddie Gomez
and drummer
Marty Morell
. His originals include the rhapsodic
"Very Early,"
the turbulent
"34 Skidoo,"
and an aggressive rendition of
"Peri's Scope."
His introspective take of
Burt Bacharach
's
"Alfie"
is played at a leisurely tempo, while his take of
Earl Zindars
'
"How My Heart Sings"
simmers slowly to a boil. His driving setting of
Johnny Carisi
"Israel"
has an intense
solo and a lively exchange with
Morell
as its centerpiece. While this is a terrific live performance, there are sound problems, including what sounds like bleeding of the stage monitors into the mix, and there are muddy spots in the recording as well, particularly during some of
Gomez
's solos. Master engineer
Rudy Van Gelder
tackled the remastering of this
CTI
LP, but there was only so much he could do with what was preserved on the original tape. ~ Ken Dryden
' second recording at the Montreux Jazz Festival in 1970 was a highly anticipated concert, finding the pianist in peak form, accompanied by bassist
Eddie Gomez
and drummer
Marty Morell
. His originals include the rhapsodic
"Very Early,"
the turbulent
"34 Skidoo,"
and an aggressive rendition of
"Peri's Scope."
His introspective take of
Burt Bacharach
's
"Alfie"
is played at a leisurely tempo, while his take of
Earl Zindars
'
"How My Heart Sings"
simmers slowly to a boil. His driving setting of
Johnny Carisi
"Israel"
has an intense
solo and a lively exchange with
Morell
as its centerpiece. While this is a terrific live performance, there are sound problems, including what sounds like bleeding of the stage monitors into the mix, and there are muddy spots in the recording as well, particularly during some of
Gomez
's solos. Master engineer
Rudy Van Gelder
tackled the remastering of this
CTI
LP, but there was only so much he could do with what was preserved on the original tape. ~ Ken Dryden
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