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Money: A Suicide Note
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Money: A Suicide Note in Chattanooga, TN
Current price: $26.99

Barnes and Noble
Money: A Suicide Note in Chattanooga, TN
Current price: $26.99
Loading Inventory...
Size: Audiobook
Named one of
Time
’s 100 best novels in the English language,
Money
is “savagely hilarious. It risks, it boils with energy . . . it even manages to shock” (
The Washington Post
).
Including a new introduction by Lorrie Moore, author of
I Am Homeless If This Is Not My Home
Originally published in 1984, Martin Amis’s classic novel
is a searing critique of late-stage capitalism that remains a poignant and relevant commentary on the trappings of materialism and the illusions of success.
Money is everything. Especially to John Self, a successful commercial director from London. He spends his days steeped in booze and pornography and prostitutes, lost in the hedonistic lifestyle of his peers.
But John has bigger dreams, and he sets off for America on the invitation of the filmmaker Fielding Goodney in the hope of getting his first feature film, titled
Good Money
, off the ground. It is in America where John must contend with his degenerative proclivities, or risk the life he’s built.
is Martin Amis at his very best: a hilarious, razor-sharp, and wholly singular storyteller.
Time
’s 100 best novels in the English language,
Money
is “savagely hilarious. It risks, it boils with energy . . . it even manages to shock” (
The Washington Post
).
Including a new introduction by Lorrie Moore, author of
I Am Homeless If This Is Not My Home
Originally published in 1984, Martin Amis’s classic novel
is a searing critique of late-stage capitalism that remains a poignant and relevant commentary on the trappings of materialism and the illusions of success.
Money is everything. Especially to John Self, a successful commercial director from London. He spends his days steeped in booze and pornography and prostitutes, lost in the hedonistic lifestyle of his peers.
But John has bigger dreams, and he sets off for America on the invitation of the filmmaker Fielding Goodney in the hope of getting his first feature film, titled
Good Money
, off the ground. It is in America where John must contend with his degenerative proclivities, or risk the life he’s built.
is Martin Amis at his very best: a hilarious, razor-sharp, and wholly singular storyteller.
Named one of
Time
’s 100 best novels in the English language,
Money
is “savagely hilarious. It risks, it boils with energy . . . it even manages to shock” (
The Washington Post
).
Including a new introduction by Lorrie Moore, author of
I Am Homeless If This Is Not My Home
Originally published in 1984, Martin Amis’s classic novel
is a searing critique of late-stage capitalism that remains a poignant and relevant commentary on the trappings of materialism and the illusions of success.
Money is everything. Especially to John Self, a successful commercial director from London. He spends his days steeped in booze and pornography and prostitutes, lost in the hedonistic lifestyle of his peers.
But John has bigger dreams, and he sets off for America on the invitation of the filmmaker Fielding Goodney in the hope of getting his first feature film, titled
Good Money
, off the ground. It is in America where John must contend with his degenerative proclivities, or risk the life he’s built.
is Martin Amis at his very best: a hilarious, razor-sharp, and wholly singular storyteller.
Time
’s 100 best novels in the English language,
Money
is “savagely hilarious. It risks, it boils with energy . . . it even manages to shock” (
The Washington Post
).
Including a new introduction by Lorrie Moore, author of
I Am Homeless If This Is Not My Home
Originally published in 1984, Martin Amis’s classic novel
is a searing critique of late-stage capitalism that remains a poignant and relevant commentary on the trappings of materialism and the illusions of success.
Money is everything. Especially to John Self, a successful commercial director from London. He spends his days steeped in booze and pornography and prostitutes, lost in the hedonistic lifestyle of his peers.
But John has bigger dreams, and he sets off for America on the invitation of the filmmaker Fielding Goodney in the hope of getting his first feature film, titled
Good Money
, off the ground. It is in America where John must contend with his degenerative proclivities, or risk the life he’s built.
is Martin Amis at his very best: a hilarious, razor-sharp, and wholly singular storyteller.





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