This book is a glorious celebration of Rhoda Pritzker’s collection of 20thcentury British art, much of which has been donated to the Yale Center for British Art. Pritzker, who was born in Manchester in1914 and emigrated to the United States during the Blitz, was an avid and daring collector of paintings, sculptures, and drawings. Keen to support artists whose reputations were still emerging, and loyal to no single school or style, she developed a unique and impressively diverse collection. While Pritzker most actively purchased pieces in the 1950s and 1960s, her collection offers a fascinating window onto postwar artistic production. Beautifully illustrated, this catalogue features a number of unpublished works and archival materials. Among the artists discussed are key figures, including L. S. Lowry, Barbara Hepworth, Anthony Caro, and Henry Moore, as well as lesserknown artists. The texts elucidate the factors that made Pritzker’s method of collecting so singular—namely her relationship to an evolving transatlantic artistic community and the deeply personal nature of the works she procured.Published by the Yale Center for British Art/Distributed by Yale University Press Exhibition Schedule:Yale Center for British Art, New Haven(05/11/201608/21/2016)
This book is a glorious celebration of Rhoda Pritzker’s collection of 20thcentury British art, much of which has been donated to the Yale Center for British Art. Pritzker, who was born in Manchester in1914 and emigrated to the United States during the Blitz, was an avid and daring collector of paintings, sculptures, and drawings. Keen to support artists whose reputations were still emerging, and loyal to no single school or style, she developed a unique and impressively diverse collection. While Pritzker most actively purchased pieces in the 1950s and 1960s, her collection offers a fascinating window onto postwar artistic production. Beautifully illustrated, this catalogue features a number of unpublished works and archival materials. Among the artists discussed are key figures, including L. S. Lowry, Barbara Hepworth, Anthony Caro, and Henry Moore, as well as lesserknown artists. The texts elucidate the factors that made Pritzker’s method of collecting so singular—namely her relationship to an evolving transatlantic artistic community and the deeply personal nature of the works she procured.Published by the Yale Center for British Art/Distributed by Yale University Press Exhibition Schedule:Yale Center for British Art, New Haven(05/11/201608/21/2016)
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