Home
Live Stuttgart 1975
Barnes and Noble
Loading Inventory...
Live Stuttgart 1975 in Chattanooga, TN
Current price: $18.99
Barnes and Noble
Live Stuttgart 1975 in Chattanooga, TN
Current price: $18.99
Loading Inventory...
Size: CD
Can
's experimentation and willingness to take unprecedented risks touched every aspect of their music. The Krautrock legends' innovative approach to studio albums produced some of the most exciting results of the entire era of rock music they existed in, but the foundation for their studio brilliance was in their otherworldly powers as a live entity.
Live in Stuttgart 1975
captures some of this live magic, documenting the entirety of a 90-minute-long, fully improvised concert made up of five lengthy jams. For the most part, the performances are high-energy and intricate and the band sounds almost supernaturally communicative. Instead of taking turns soloing over sleepy blues-based vamps,
swing between complex modes that they explore restlessly. Sometimes they'll break into what sounds like familiar material -- a rhythm or a riff that starts to sound like something from
Tago Mago
-- but these hints of structure never fully materialize. Throughout the set,
is determined to go new places. The band had just recorded their sixth LP,
Landed
, which at that point combined both their most high-tech production and their most straightforward jam band material. Some of that excessive jam focus comes through on
Stuttgart 1975
. The cautious intro to "Zwei" (the album's five pieces are titled with German numerals) has the same lazy shuffle and prismatic guitar noodling as the
Grateful Dead
during their live sets. That mellowness lasts only a moment before taking one of many quick turns to wilder territory. There are some parallels to the ungrounded freeform of electric
Miles Davis
and
Hendrix
's raw live recordings, but there's also some integration of early synthesizers and a rhythmic presence that sounds like
alone. Whether locked into an airtight groove or exploring noisy chaos, the band moves as a singular organism that doesn't let up for a second. Their studio albums solidified
's reputation as one of the most important and groundbreaking bands of their time, but
exemplifies how that creative spirit translated to the stage, highlighting yet another side of
's limitless ability. ~ Fred Thomas
's experimentation and willingness to take unprecedented risks touched every aspect of their music. The Krautrock legends' innovative approach to studio albums produced some of the most exciting results of the entire era of rock music they existed in, but the foundation for their studio brilliance was in their otherworldly powers as a live entity.
Live in Stuttgart 1975
captures some of this live magic, documenting the entirety of a 90-minute-long, fully improvised concert made up of five lengthy jams. For the most part, the performances are high-energy and intricate and the band sounds almost supernaturally communicative. Instead of taking turns soloing over sleepy blues-based vamps,
swing between complex modes that they explore restlessly. Sometimes they'll break into what sounds like familiar material -- a rhythm or a riff that starts to sound like something from
Tago Mago
-- but these hints of structure never fully materialize. Throughout the set,
is determined to go new places. The band had just recorded their sixth LP,
Landed
, which at that point combined both their most high-tech production and their most straightforward jam band material. Some of that excessive jam focus comes through on
Stuttgart 1975
. The cautious intro to "Zwei" (the album's five pieces are titled with German numerals) has the same lazy shuffle and prismatic guitar noodling as the
Grateful Dead
during their live sets. That mellowness lasts only a moment before taking one of many quick turns to wilder territory. There are some parallels to the ungrounded freeform of electric
Miles Davis
and
Hendrix
's raw live recordings, but there's also some integration of early synthesizers and a rhythmic presence that sounds like
alone. Whether locked into an airtight groove or exploring noisy chaos, the band moves as a singular organism that doesn't let up for a second. Their studio albums solidified
's reputation as one of the most important and groundbreaking bands of their time, but
exemplifies how that creative spirit translated to the stage, highlighting yet another side of
's limitless ability. ~ Fred Thomas
Can
's experimentation and willingness to take unprecedented risks touched every aspect of their music. The Krautrock legends' innovative approach to studio albums produced some of the most exciting results of the entire era of rock music they existed in, but the foundation for their studio brilliance was in their otherworldly powers as a live entity.
Live in Stuttgart 1975
captures some of this live magic, documenting the entirety of a 90-minute-long, fully improvised concert made up of five lengthy jams. For the most part, the performances are high-energy and intricate and the band sounds almost supernaturally communicative. Instead of taking turns soloing over sleepy blues-based vamps,
swing between complex modes that they explore restlessly. Sometimes they'll break into what sounds like familiar material -- a rhythm or a riff that starts to sound like something from
Tago Mago
-- but these hints of structure never fully materialize. Throughout the set,
is determined to go new places. The band had just recorded their sixth LP,
Landed
, which at that point combined both their most high-tech production and their most straightforward jam band material. Some of that excessive jam focus comes through on
Stuttgart 1975
. The cautious intro to "Zwei" (the album's five pieces are titled with German numerals) has the same lazy shuffle and prismatic guitar noodling as the
Grateful Dead
during their live sets. That mellowness lasts only a moment before taking one of many quick turns to wilder territory. There are some parallels to the ungrounded freeform of electric
Miles Davis
and
Hendrix
's raw live recordings, but there's also some integration of early synthesizers and a rhythmic presence that sounds like
alone. Whether locked into an airtight groove or exploring noisy chaos, the band moves as a singular organism that doesn't let up for a second. Their studio albums solidified
's reputation as one of the most important and groundbreaking bands of their time, but
exemplifies how that creative spirit translated to the stage, highlighting yet another side of
's limitless ability. ~ Fred Thomas
's experimentation and willingness to take unprecedented risks touched every aspect of their music. The Krautrock legends' innovative approach to studio albums produced some of the most exciting results of the entire era of rock music they existed in, but the foundation for their studio brilliance was in their otherworldly powers as a live entity.
Live in Stuttgart 1975
captures some of this live magic, documenting the entirety of a 90-minute-long, fully improvised concert made up of five lengthy jams. For the most part, the performances are high-energy and intricate and the band sounds almost supernaturally communicative. Instead of taking turns soloing over sleepy blues-based vamps,
swing between complex modes that they explore restlessly. Sometimes they'll break into what sounds like familiar material -- a rhythm or a riff that starts to sound like something from
Tago Mago
-- but these hints of structure never fully materialize. Throughout the set,
is determined to go new places. The band had just recorded their sixth LP,
Landed
, which at that point combined both their most high-tech production and their most straightforward jam band material. Some of that excessive jam focus comes through on
Stuttgart 1975
. The cautious intro to "Zwei" (the album's five pieces are titled with German numerals) has the same lazy shuffle and prismatic guitar noodling as the
Grateful Dead
during their live sets. That mellowness lasts only a moment before taking one of many quick turns to wilder territory. There are some parallels to the ungrounded freeform of electric
Miles Davis
and
Hendrix
's raw live recordings, but there's also some integration of early synthesizers and a rhythmic presence that sounds like
alone. Whether locked into an airtight groove or exploring noisy chaos, the band moves as a singular organism that doesn't let up for a second. Their studio albums solidified
's reputation as one of the most important and groundbreaking bands of their time, but
exemplifies how that creative spirit translated to the stage, highlighting yet another side of
's limitless ability. ~ Fred Thomas
You May Also Like
![Ben Folds Live With The National Sym Orch [Gold Vinyl] [Signed] [Barnes & Noble Exclusive]](https://prodimage.images-bn.com/pimages/0810038862149_p0_v2_s600x595.jpg)
More About Barnes and Noble at Hamilton Place
Barnes & Noble is the world’s largest retail bookseller and a leading retailer of content, digital media and educational products. Our Nook Digital business offers a lineup of NOOK® tablets and e-Readers and an expansive collection of digital reading content through the NOOK Store®. Barnes & Noble’s mission is to operate the best omni-channel specialty retail business in America, helping both our customers and booksellers reach their aspirations, while being a credit to the communities we serve.
2100 Hamilton Pl Blvd, Chattanooga, TN 37421, United States
Find Barnes and Noble at Hamilton Place in Chattanooga, TN
Visit Barnes and Noble at Hamilton Place in Chattanooga, TN