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Live at XX Merge
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Live at XX Merge in Chattanooga, TN
Current price: $22.99

Barnes and Noble
Live at XX Merge in Chattanooga, TN
Current price: $22.99
Loading Inventory...
Size: OS
When
Lambchop
were first conceived as
Posterchild
in the late '80s, it was in the spirit of getting together to play with no discernible purpose. Anybody who wanted in could have in. There is still something of that spirit in the 11-piece edition of
Kurt Wagner
's venerable
that appeared at
Merge Records
' 20th anniversary festival in North Carolina in July 2009. Between horns and keyboards and multiple strummers, including the supremely tasteful lead guitarist
William Tyler
-- who embodies
's indie Nashville vibe to a T --
Wagner
's project is still impossible to classify, and completely sublime.
pulls from all corners of his 15-year career, stacking them into a pleasing arc, including erudite mid-set R&B (
"Your Fucking Sunny Day,"
from 1997's
Thriller
), a show-opening alt-country lilt (
"I Will Drive Slowly,"
from 1994's
I Hope You're Sitting Down
), and a joyous rock climax (
"Give It,"
which begins as a half-sung recitation and propels itself into a chorus of
Talking Heads
'
"Once in a Lifetime"
). Recorded pristinely, the band's first official live album -- not counting a few tour-only discs -- is as pleasing as any of its ten albums, the wall of sound as fresh and wonderful as ever. On
"Grumpus,"
from 2000's
Nixon
, the band fits together brass, noisy guitar,
Tyler
's reverberated fingerpicking, and slightly dirty synth fills, each totally finding its own space in the mix. Complex and accessible, avant-garde and pleasing to the ear, introspective and cathartic,
communicate themselves in full, and there remains nobody like them in American music. ~ Jesse Jarnow
Lambchop
were first conceived as
Posterchild
in the late '80s, it was in the spirit of getting together to play with no discernible purpose. Anybody who wanted in could have in. There is still something of that spirit in the 11-piece edition of
Kurt Wagner
's venerable
that appeared at
Merge Records
' 20th anniversary festival in North Carolina in July 2009. Between horns and keyboards and multiple strummers, including the supremely tasteful lead guitarist
William Tyler
-- who embodies
's indie Nashville vibe to a T --
Wagner
's project is still impossible to classify, and completely sublime.
pulls from all corners of his 15-year career, stacking them into a pleasing arc, including erudite mid-set R&B (
"Your Fucking Sunny Day,"
from 1997's
Thriller
), a show-opening alt-country lilt (
"I Will Drive Slowly,"
from 1994's
I Hope You're Sitting Down
), and a joyous rock climax (
"Give It,"
which begins as a half-sung recitation and propels itself into a chorus of
Talking Heads
'
"Once in a Lifetime"
). Recorded pristinely, the band's first official live album -- not counting a few tour-only discs -- is as pleasing as any of its ten albums, the wall of sound as fresh and wonderful as ever. On
"Grumpus,"
from 2000's
Nixon
, the band fits together brass, noisy guitar,
Tyler
's reverberated fingerpicking, and slightly dirty synth fills, each totally finding its own space in the mix. Complex and accessible, avant-garde and pleasing to the ear, introspective and cathartic,
communicate themselves in full, and there remains nobody like them in American music. ~ Jesse Jarnow
When
Lambchop
were first conceived as
Posterchild
in the late '80s, it was in the spirit of getting together to play with no discernible purpose. Anybody who wanted in could have in. There is still something of that spirit in the 11-piece edition of
Kurt Wagner
's venerable
that appeared at
Merge Records
' 20th anniversary festival in North Carolina in July 2009. Between horns and keyboards and multiple strummers, including the supremely tasteful lead guitarist
William Tyler
-- who embodies
's indie Nashville vibe to a T --
Wagner
's project is still impossible to classify, and completely sublime.
pulls from all corners of his 15-year career, stacking them into a pleasing arc, including erudite mid-set R&B (
"Your Fucking Sunny Day,"
from 1997's
Thriller
), a show-opening alt-country lilt (
"I Will Drive Slowly,"
from 1994's
I Hope You're Sitting Down
), and a joyous rock climax (
"Give It,"
which begins as a half-sung recitation and propels itself into a chorus of
Talking Heads
'
"Once in a Lifetime"
). Recorded pristinely, the band's first official live album -- not counting a few tour-only discs -- is as pleasing as any of its ten albums, the wall of sound as fresh and wonderful as ever. On
"Grumpus,"
from 2000's
Nixon
, the band fits together brass, noisy guitar,
Tyler
's reverberated fingerpicking, and slightly dirty synth fills, each totally finding its own space in the mix. Complex and accessible, avant-garde and pleasing to the ear, introspective and cathartic,
communicate themselves in full, and there remains nobody like them in American music. ~ Jesse Jarnow
Lambchop
were first conceived as
Posterchild
in the late '80s, it was in the spirit of getting together to play with no discernible purpose. Anybody who wanted in could have in. There is still something of that spirit in the 11-piece edition of
Kurt Wagner
's venerable
that appeared at
Merge Records
' 20th anniversary festival in North Carolina in July 2009. Between horns and keyboards and multiple strummers, including the supremely tasteful lead guitarist
William Tyler
-- who embodies
's indie Nashville vibe to a T --
Wagner
's project is still impossible to classify, and completely sublime.
pulls from all corners of his 15-year career, stacking them into a pleasing arc, including erudite mid-set R&B (
"Your Fucking Sunny Day,"
from 1997's
Thriller
), a show-opening alt-country lilt (
"I Will Drive Slowly,"
from 1994's
I Hope You're Sitting Down
), and a joyous rock climax (
"Give It,"
which begins as a half-sung recitation and propels itself into a chorus of
Talking Heads
'
"Once in a Lifetime"
). Recorded pristinely, the band's first official live album -- not counting a few tour-only discs -- is as pleasing as any of its ten albums, the wall of sound as fresh and wonderful as ever. On
"Grumpus,"
from 2000's
Nixon
, the band fits together brass, noisy guitar,
Tyler
's reverberated fingerpicking, and slightly dirty synth fills, each totally finding its own space in the mix. Complex and accessible, avant-garde and pleasing to the ear, introspective and cathartic,
communicate themselves in full, and there remains nobody like them in American music. ~ Jesse Jarnow



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