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Le rovine di Roma al principio del secolo XVI. Studi Bramantino (Bartolomeo Suardi). Da un manoscritto dell' Ambrosiana 80 tavole

Le rovine di Roma al principio del secolo XVI. Studi Bramantino (Bartolomeo Suardi). Da un manoscritto dell' Ambrosiana 80 tavole in Chattanooga, TN

Current price: $36.95
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Le rovine di Roma al principio del secolo XVI. Studi Bramantino (Bartolomeo Suardi). Da un manoscritto dell' Ambrosiana 80 tavole

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Le rovine di Roma al principio del secolo XVI. Studi Bramantino (Bartolomeo Suardi). Da un manoscritto dell' Ambrosiana 80 tavole in Chattanooga, TN

Current price: $36.95
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Size: Hardcover

Le rovine di Roma al principio del secolo XVI. Studi del Bramantino (Bartolomeo Suardi). Da un manoscritto dell' Ambrosiana di 80 tavole
presents a detailed exploration of the ruins of Rome at the beginning of the 16th century through the studies of Bramantino (Bartolomeo Suardi). This work, compiled from a manuscript of 80 plates held in the Ambrosiana Library, offers invaluable insights into the architectural and artistic landscape of Renaissance Rome. Giuseppe Mongeri's careful presentation makes this a crucial resource for understanding the city's historical fabric and Bramantino's artistic contributions. This volume provides a fascinating glimpse into the past for historians, art enthusiasts, and anyone interested in the enduring legacy of Roman architecture.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Le rovine di Roma al principio del secolo XVI. Studi del Bramantino (Bartolomeo Suardi). Da un manoscritto dell' Ambrosiana di 80 tavole
presents a detailed exploration of the ruins of Rome at the beginning of the 16th century through the studies of Bramantino (Bartolomeo Suardi). This work, compiled from a manuscript of 80 plates held in the Ambrosiana Library, offers invaluable insights into the architectural and artistic landscape of Renaissance Rome. Giuseppe Mongeri's careful presentation makes this a crucial resource for understanding the city's historical fabric and Bramantino's artistic contributions. This volume provides a fascinating glimpse into the past for historians, art enthusiasts, and anyone interested in the enduring legacy of Roman architecture.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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