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La Marrana negra de la literatura rosa / The black pig of pink literature
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La Marrana negra de la literatura rosa / The black pig of pink literature in Chattanooga, TN
Current price: $14.95
Barnes and Noble
La Marrana negra de la literatura rosa / The black pig of pink literature in Chattanooga, TN
Current price: $14.95
Loading Inventory...
Size: OS
“En las historias de este libro, su autor demuestra que es un escritor con proyecto, no sólo para desarrollar un estilo de humor corrosivo hasta el hueso y un tipo de historia donde todos quedamos expuestos en paños menores, sino de un territorio lingüístico como identidad de una región, que ahora es también testigo y generadora de una época en la literatura mexicana.
Cinco relatos que develan de golpe la condición humana en ángulos significativos: el amor a la madre traicionado, la lealtad amorosa y su debilidad, la envidia de la capacidad ajena al cien, la obstinación sin sentido y el terror al fin de la cómoda suplantación del otro. El autor descubre llagas supurantes y las restriega con crueldad donde se rompen todos los acuerdos.
Un factor importante en este libro es el humor. El humor es defensa y es ataque. Velázquez señala, apuñala, apostrofa, deglute, vomita y divierte.
Sostengo que un narrador con instinto produce textos con señales múltiples que amplían el sentido de su discurso literario, y me parece que Carlos pertenece a este grupo.
“In the stories in this book, the author demonstrates that he is a writer with a vision, not only to develop a style of humor that is corrosive to the bone and a type of story where we are all exposed in our underwear, but also to develop a linguistic territory as the identity of a region, which is now also a witness and generator of an era in Mexican literature.
Five stories that suddenly reveal the human condition from significant angles: the betrayed love of a mother, loving loyalty and its weakness, envy of someone else's 100% ability, senseless stubbornness, and the terror of the end of the comfortable impersonation of the other. The author uncovers festering wounds and cruelly rubs them in where all agreements are broken.
An important factor in this book is humor. Humor is both defense and attack. Velázquez points, stabs, apostrophizes, swallows, vomits, and entertains.
I maintain that a narrator with instinct produces texts with multiple signals that expand the meaning of his literary discourse, and it seems to me that Carlos belongs to this group.
Cinco relatos que develan de golpe la condición humana en ángulos significativos: el amor a la madre traicionado, la lealtad amorosa y su debilidad, la envidia de la capacidad ajena al cien, la obstinación sin sentido y el terror al fin de la cómoda suplantación del otro. El autor descubre llagas supurantes y las restriega con crueldad donde se rompen todos los acuerdos.
Un factor importante en este libro es el humor. El humor es defensa y es ataque. Velázquez señala, apuñala, apostrofa, deglute, vomita y divierte.
Sostengo que un narrador con instinto produce textos con señales múltiples que amplían el sentido de su discurso literario, y me parece que Carlos pertenece a este grupo.
“In the stories in this book, the author demonstrates that he is a writer with a vision, not only to develop a style of humor that is corrosive to the bone and a type of story where we are all exposed in our underwear, but also to develop a linguistic territory as the identity of a region, which is now also a witness and generator of an era in Mexican literature.
Five stories that suddenly reveal the human condition from significant angles: the betrayed love of a mother, loving loyalty and its weakness, envy of someone else's 100% ability, senseless stubbornness, and the terror of the end of the comfortable impersonation of the other. The author uncovers festering wounds and cruelly rubs them in where all agreements are broken.
An important factor in this book is humor. Humor is both defense and attack. Velázquez points, stabs, apostrophizes, swallows, vomits, and entertains.
I maintain that a narrator with instinct produces texts with multiple signals that expand the meaning of his literary discourse, and it seems to me that Carlos belongs to this group.
“En las historias de este libro, su autor demuestra que es un escritor con proyecto, no sólo para desarrollar un estilo de humor corrosivo hasta el hueso y un tipo de historia donde todos quedamos expuestos en paños menores, sino de un territorio lingüístico como identidad de una región, que ahora es también testigo y generadora de una época en la literatura mexicana.
Cinco relatos que develan de golpe la condición humana en ángulos significativos: el amor a la madre traicionado, la lealtad amorosa y su debilidad, la envidia de la capacidad ajena al cien, la obstinación sin sentido y el terror al fin de la cómoda suplantación del otro. El autor descubre llagas supurantes y las restriega con crueldad donde se rompen todos los acuerdos.
Un factor importante en este libro es el humor. El humor es defensa y es ataque. Velázquez señala, apuñala, apostrofa, deglute, vomita y divierte.
Sostengo que un narrador con instinto produce textos con señales múltiples que amplían el sentido de su discurso literario, y me parece que Carlos pertenece a este grupo.
“In the stories in this book, the author demonstrates that he is a writer with a vision, not only to develop a style of humor that is corrosive to the bone and a type of story where we are all exposed in our underwear, but also to develop a linguistic territory as the identity of a region, which is now also a witness and generator of an era in Mexican literature.
Five stories that suddenly reveal the human condition from significant angles: the betrayed love of a mother, loving loyalty and its weakness, envy of someone else's 100% ability, senseless stubbornness, and the terror of the end of the comfortable impersonation of the other. The author uncovers festering wounds and cruelly rubs them in where all agreements are broken.
An important factor in this book is humor. Humor is both defense and attack. Velázquez points, stabs, apostrophizes, swallows, vomits, and entertains.
I maintain that a narrator with instinct produces texts with multiple signals that expand the meaning of his literary discourse, and it seems to me that Carlos belongs to this group.
Cinco relatos que develan de golpe la condición humana en ángulos significativos: el amor a la madre traicionado, la lealtad amorosa y su debilidad, la envidia de la capacidad ajena al cien, la obstinación sin sentido y el terror al fin de la cómoda suplantación del otro. El autor descubre llagas supurantes y las restriega con crueldad donde se rompen todos los acuerdos.
Un factor importante en este libro es el humor. El humor es defensa y es ataque. Velázquez señala, apuñala, apostrofa, deglute, vomita y divierte.
Sostengo que un narrador con instinto produce textos con señales múltiples que amplían el sentido de su discurso literario, y me parece que Carlos pertenece a este grupo.
“In the stories in this book, the author demonstrates that he is a writer with a vision, not only to develop a style of humor that is corrosive to the bone and a type of story where we are all exposed in our underwear, but also to develop a linguistic territory as the identity of a region, which is now also a witness and generator of an era in Mexican literature.
Five stories that suddenly reveal the human condition from significant angles: the betrayed love of a mother, loving loyalty and its weakness, envy of someone else's 100% ability, senseless stubbornness, and the terror of the end of the comfortable impersonation of the other. The author uncovers festering wounds and cruelly rubs them in where all agreements are broken.
An important factor in this book is humor. Humor is both defense and attack. Velázquez points, stabs, apostrophizes, swallows, vomits, and entertains.
I maintain that a narrator with instinct produces texts with multiple signals that expand the meaning of his literary discourse, and it seems to me that Carlos belongs to this group.
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