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Joyce & Tony: Live at Wigmore Hall
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Joyce & Tony: Live at Wigmore Hall in Chattanooga, TN
Current price: $23.99

Barnes and Noble
Joyce & Tony: Live at Wigmore Hall in Chattanooga, TN
Current price: $23.99
Loading Inventory...
Size: OS
Something about the Kansas-born mezzo-soprano
Joyce DiDonato
makes British audiences roll over and put their paws in the air, and this frothy but enjoyable recital gives additional indications about what it is. The album is taken from a pair of live recitals at London's Wigmore Hall, and the
Erato
label deserves credit for a sound environment that captures the relaxed quality of the events. Simply,
DiDonato
has the confidence to master whatever she tackles, and it's infectious. Known for muscular pieces like the little-known
Haydn
scene that opens the program, she shifts easily to semi-popular and popular songs as if it were the most natural thing in the world. The songs of composer
Francesco Santoliquido
, one click toward art song from what is usually understood by the term "Neapolitan song" (although
Santoliquido
was from Naples), are rarely performed, but
and her accompanist "Tony" (
Antonio Pappano
) are pitch-perfect in their lightly affecting quality. The second CD of the double set (and presumably the second recital of the original pair) is devoted to American song, from
Stephen Foster
to songs reflecting
's Irish heritage (despite the surname), and here again clarity, humor (from both musicians), and a relaxed quality are the watchwords. A superior light recital. ~ James Manheim
Joyce DiDonato
makes British audiences roll over and put their paws in the air, and this frothy but enjoyable recital gives additional indications about what it is. The album is taken from a pair of live recitals at London's Wigmore Hall, and the
Erato
label deserves credit for a sound environment that captures the relaxed quality of the events. Simply,
DiDonato
has the confidence to master whatever she tackles, and it's infectious. Known for muscular pieces like the little-known
Haydn
scene that opens the program, she shifts easily to semi-popular and popular songs as if it were the most natural thing in the world. The songs of composer
Francesco Santoliquido
, one click toward art song from what is usually understood by the term "Neapolitan song" (although
Santoliquido
was from Naples), are rarely performed, but
and her accompanist "Tony" (
Antonio Pappano
) are pitch-perfect in their lightly affecting quality. The second CD of the double set (and presumably the second recital of the original pair) is devoted to American song, from
Stephen Foster
to songs reflecting
's Irish heritage (despite the surname), and here again clarity, humor (from both musicians), and a relaxed quality are the watchwords. A superior light recital. ~ James Manheim
Something about the Kansas-born mezzo-soprano
Joyce DiDonato
makes British audiences roll over and put their paws in the air, and this frothy but enjoyable recital gives additional indications about what it is. The album is taken from a pair of live recitals at London's Wigmore Hall, and the
Erato
label deserves credit for a sound environment that captures the relaxed quality of the events. Simply,
DiDonato
has the confidence to master whatever she tackles, and it's infectious. Known for muscular pieces like the little-known
Haydn
scene that opens the program, she shifts easily to semi-popular and popular songs as if it were the most natural thing in the world. The songs of composer
Francesco Santoliquido
, one click toward art song from what is usually understood by the term "Neapolitan song" (although
Santoliquido
was from Naples), are rarely performed, but
and her accompanist "Tony" (
Antonio Pappano
) are pitch-perfect in their lightly affecting quality. The second CD of the double set (and presumably the second recital of the original pair) is devoted to American song, from
Stephen Foster
to songs reflecting
's Irish heritage (despite the surname), and here again clarity, humor (from both musicians), and a relaxed quality are the watchwords. A superior light recital. ~ James Manheim
Joyce DiDonato
makes British audiences roll over and put their paws in the air, and this frothy but enjoyable recital gives additional indications about what it is. The album is taken from a pair of live recitals at London's Wigmore Hall, and the
Erato
label deserves credit for a sound environment that captures the relaxed quality of the events. Simply,
DiDonato
has the confidence to master whatever she tackles, and it's infectious. Known for muscular pieces like the little-known
Haydn
scene that opens the program, she shifts easily to semi-popular and popular songs as if it were the most natural thing in the world. The songs of composer
Francesco Santoliquido
, one click toward art song from what is usually understood by the term "Neapolitan song" (although
Santoliquido
was from Naples), are rarely performed, but
and her accompanist "Tony" (
Antonio Pappano
) are pitch-perfect in their lightly affecting quality. The second CD of the double set (and presumably the second recital of the original pair) is devoted to American song, from
Stephen Foster
to songs reflecting
's Irish heritage (despite the surname), and here again clarity, humor (from both musicians), and a relaxed quality are the watchwords. A superior light recital. ~ James Manheim

















