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Jacknife [Blue Note Tone Poet Edition] [180g LP]
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Jacknife [Blue Note Tone Poet Edition] [180g LP] in Chattanooga, TN
Current price: $41.99
![Jacknife [Blue Note Tone Poet Edition] [180g LP]](https://prodimage.images-bn.com/pimages/0602455845917_p0_v1_s600x595.jpg)
Barnes and Noble
Jacknife [Blue Note Tone Poet Edition] [180g LP] in Chattanooga, TN
Current price: $41.99
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Size: OS
Jackie McLean
's
Jacknife
sessions have had a peculiar and somewhat disjointed history in his discography. Initially issued in 1975 on a vinyl two-fer as part of the
Blue Note
reissue series, it included separate, previously unreleased sessions from 1965 and 1966, the former with trumpeters
Lee Morgan
and
Charles Tolliver
, the latter in a quartet with only
McLean
as the leading horn. This 1965 group has many worthwhile and often challenging moments for the then-33-year-old alto saxophonist.
Of the five tracks here, "On the Nile," at over 12-and-a-half minutes, should be a favorite, as its modern, mainstream modalism weaves
Larry Willis
' deep piano chords,
Tolliver
's evocative trumpet, and
's rich harmonizing.
also wrote the title track, a sour-toned bopper on the cutting edge, considering this mid-'60s time frame.
penned the tuneful, enjoyable "Blue Fable" on the steady swing side, briefly dishing out calypso beats.
Morgan
's feature is
DeJohnette
's "Climax" in a chopped-up piano riff with the drummer, as a bop line from the horns takes up the urgent, kinetic charge. The only track with both trumpeters, "Soft Blue," is easy as the title suggests, harmonic and warm, with solid solos showing the stark contrast between the approach of the two brassmen and
Willis
' ruminating piano.~ Michael G. Nastos
's
Jacknife
sessions have had a peculiar and somewhat disjointed history in his discography. Initially issued in 1975 on a vinyl two-fer as part of the
Blue Note
reissue series, it included separate, previously unreleased sessions from 1965 and 1966, the former with trumpeters
Lee Morgan
and
Charles Tolliver
, the latter in a quartet with only
McLean
as the leading horn. This 1965 group has many worthwhile and often challenging moments for the then-33-year-old alto saxophonist.
Of the five tracks here, "On the Nile," at over 12-and-a-half minutes, should be a favorite, as its modern, mainstream modalism weaves
Larry Willis
' deep piano chords,
Tolliver
's evocative trumpet, and
's rich harmonizing.
also wrote the title track, a sour-toned bopper on the cutting edge, considering this mid-'60s time frame.
penned the tuneful, enjoyable "Blue Fable" on the steady swing side, briefly dishing out calypso beats.
Morgan
's feature is
DeJohnette
's "Climax" in a chopped-up piano riff with the drummer, as a bop line from the horns takes up the urgent, kinetic charge. The only track with both trumpeters, "Soft Blue," is easy as the title suggests, harmonic and warm, with solid solos showing the stark contrast between the approach of the two brassmen and
Willis
' ruminating piano.~ Michael G. Nastos
Jackie McLean
's
Jacknife
sessions have had a peculiar and somewhat disjointed history in his discography. Initially issued in 1975 on a vinyl two-fer as part of the
Blue Note
reissue series, it included separate, previously unreleased sessions from 1965 and 1966, the former with trumpeters
Lee Morgan
and
Charles Tolliver
, the latter in a quartet with only
McLean
as the leading horn. This 1965 group has many worthwhile and often challenging moments for the then-33-year-old alto saxophonist.
Of the five tracks here, "On the Nile," at over 12-and-a-half minutes, should be a favorite, as its modern, mainstream modalism weaves
Larry Willis
' deep piano chords,
Tolliver
's evocative trumpet, and
's rich harmonizing.
also wrote the title track, a sour-toned bopper on the cutting edge, considering this mid-'60s time frame.
penned the tuneful, enjoyable "Blue Fable" on the steady swing side, briefly dishing out calypso beats.
Morgan
's feature is
DeJohnette
's "Climax" in a chopped-up piano riff with the drummer, as a bop line from the horns takes up the urgent, kinetic charge. The only track with both trumpeters, "Soft Blue," is easy as the title suggests, harmonic and warm, with solid solos showing the stark contrast between the approach of the two brassmen and
Willis
' ruminating piano.~ Michael G. Nastos
's
Jacknife
sessions have had a peculiar and somewhat disjointed history in his discography. Initially issued in 1975 on a vinyl two-fer as part of the
Blue Note
reissue series, it included separate, previously unreleased sessions from 1965 and 1966, the former with trumpeters
Lee Morgan
and
Charles Tolliver
, the latter in a quartet with only
McLean
as the leading horn. This 1965 group has many worthwhile and often challenging moments for the then-33-year-old alto saxophonist.
Of the five tracks here, "On the Nile," at over 12-and-a-half minutes, should be a favorite, as its modern, mainstream modalism weaves
Larry Willis
' deep piano chords,
Tolliver
's evocative trumpet, and
's rich harmonizing.
also wrote the title track, a sour-toned bopper on the cutting edge, considering this mid-'60s time frame.
penned the tuneful, enjoyable "Blue Fable" on the steady swing side, briefly dishing out calypso beats.
Morgan
's feature is
DeJohnette
's "Climax" in a chopped-up piano riff with the drummer, as a bop line from the horns takes up the urgent, kinetic charge. The only track with both trumpeters, "Soft Blue," is easy as the title suggests, harmonic and warm, with solid solos showing the stark contrast between the approach of the two brassmen and
Willis
' ruminating piano.~ Michael G. Nastos
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