On his seventh album under the
Hiss Golden Messenger
moniker, vocalist, songwriter, and idea man
M.C. Taylor
's musical approach has continued to evolve.
Taylor
's sound has matured from the minimalist dark night of the soul of 2010's
Bad Debt
to the richly textured emotions of 2017's
Hallelujah Anyhow
, which in both attitude and technique suggests a great lost singer/songwriter album from the glory days of Laurel Canyon. Here,
's melodies sound both sunny and weathered, the work of a man who has seen good and bad in the world and has opted to remain optimistic without letting go of his realism. His vocals generate the same mood with his full-bodied twang, and his studio band evokes the well-worn magnificence of
the Band
(both with and without
Bob Dylan
) and the overcast Midwestern temperament of
the Jayhawks
without suggesting they're tried to cop moves from either band. The superb guitar work from
Josh Kaufman
, the evocative keyboards of
Phil Cook
, and the tough but implacable drumming of
Darren Jessee
give these songs just the right push they need, rocking gently but decisively while letting their country accents strut their stuff. As for
's songs, he's better with mood than with narrative, but give him half a chance and these ten tunes will powerfully connect with you, as his meditations on life's trials and love's tribulations take root.
's talent is well served on this album, and the craft is superb and soulful at the same time.
is another outstanding exercise in record making from
, and it's recommended to loyal fans and curious neophytes alike. ~ Mark Deming