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Eugenics, 'Aristogenics', Photography: Picturing Privilege
Barnes and Noble
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Eugenics, 'Aristogenics', Photography: Picturing Privilege in Chattanooga, TN
Current price: $150.00

Barnes and Noble
Eugenics, 'Aristogenics', Photography: Picturing Privilege in Chattanooga, TN
Current price: $150.00
Loading Inventory...
Size: Hardcover
This is the first study to explore the connections between late-19th-century university/college composite class portraits and the field of eugenics – which first took hold in the United States at Harvard University.
Eugenics, "Aristogenics," Photography
takes a closer look at how composite portraiture documented an idealized “reality” of the New England social-caste experience and explains how, when positioned in relation to the individual stories and portraits of members of the class, the portraits reveal points of non-conformity and rebellion with their own rhetoric.
Eugenics, "Aristogenics," Photography
takes a closer look at how composite portraiture documented an idealized “reality” of the New England social-caste experience and explains how, when positioned in relation to the individual stories and portraits of members of the class, the portraits reveal points of non-conformity and rebellion with their own rhetoric.
This is the first study to explore the connections between late-19th-century university/college composite class portraits and the field of eugenics – which first took hold in the United States at Harvard University.
Eugenics, "Aristogenics," Photography
takes a closer look at how composite portraiture documented an idealized “reality” of the New England social-caste experience and explains how, when positioned in relation to the individual stories and portraits of members of the class, the portraits reveal points of non-conformity and rebellion with their own rhetoric.
Eugenics, "Aristogenics," Photography
takes a closer look at how composite portraiture documented an idealized “reality” of the New England social-caste experience and explains how, when positioned in relation to the individual stories and portraits of members of the class, the portraits reveal points of non-conformity and rebellion with their own rhetoric.

















