Moving freely through poetry's pictorial fragmentariness and literal fragments of prose, with a streaming, equanimous, nondiscriminatory referentiality, Martin Corless-Smith proposes and confers with entities in "the janus-faced doorway" of antiquity and contemporaneitythe "experience and the coming-into-history of that experience."
Moving freely through poetry's pictorial fragmentariness and literal fragments of prose, with a streaming, equanimous, nondiscriminatory referentiality, Martin Corless-Smith proposes and confers with entities in "the janus-faced doorway" of antiquity and contemporaneitythe "experience and the coming-into-history of that experience."
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