The true story of the life of Michael Drayton might be told to, vindicate the poetic traditions of the olden time. A child-poet wandering in fay-haunted Arden, or listening to the harper that frequented the fireside of Polesworth Hall where the boy was a petted page, later the honoured almoner of the bounty of many patrons, one who "not unworthily," as Tofte said, "beareth the name of the chiefest archangel, singing after this soule-ravishing manner," yet leaving but "five pounds lying by him at his death, which was satis viatici ad coelum"-is not this the panorama of a poetic career? But above all, to complete the picture of the ideal poet, he worshipped, and hopelessly, from youth to age the image of one, woman.
The true story of the life of Michael Drayton might be told to, vindicate the poetic traditions of the olden time. A child-poet wandering in fay-haunted Arden, or listening to the harper that frequented the fireside of Polesworth Hall where the boy was a petted page, later the honoured almoner of the bounty of many patrons, one who "not unworthily," as Tofte said, "beareth the name of the chiefest archangel, singing after this soule-ravishing manner," yet leaving but "five pounds lying by him at his death, which was satis viatici ad coelum"-is not this the panorama of a poetic career? But above all, to complete the picture of the ideal poet, he worshipped, and hopelessly, from youth to age the image of one, woman.
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