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Dancing the Dark
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Dancing the Dark in Chattanooga, TN
Current price: $26.99
Barnes and Noble
Dancing the Dark in Chattanooga, TN
Current price: $26.99
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Size: SACD
Fred Hersch
and his bandmates interpret 11 standards on their fine album,
Dancing in the Dark
.
Hersch
is a lyrical player who possesses a light touch and a sophisticated sense of style. His playing is unmistakably influenced by
Bill Evans
, and his trio work is marked by some of the characteristics that made
Evans
' best trios so memorable: cohesive, "whole is greater than the sum of its parts," musical communication.
Drew Gress
(bass) and
Tom Rainey
(drums) are outstanding throughout these 70 minutes and their efforts become even more apparent with repeated listenings. The best tracks on
happen to also be the least well known; the brisk
"So in Love,"
the delicate, solo vehicle
"If I Should Lose You,"
the soft, orchestral
"Wild Is the Wind,"
and the bright, swinging title piece. Though he occasionally takes a dissonant, avant-garde approach (
"Out of Nowhere"
), it is clearly not his most effective style.
is at is best when he "sings" on the piano and his ballad playing is consistently first rate. This is a quality album, branded by excellent trio playing and tasteful interpretations of the standard repertoire. ~ Brian Bartolini
and his bandmates interpret 11 standards on their fine album,
Dancing in the Dark
.
Hersch
is a lyrical player who possesses a light touch and a sophisticated sense of style. His playing is unmistakably influenced by
Bill Evans
, and his trio work is marked by some of the characteristics that made
Evans
' best trios so memorable: cohesive, "whole is greater than the sum of its parts," musical communication.
Drew Gress
(bass) and
Tom Rainey
(drums) are outstanding throughout these 70 minutes and their efforts become even more apparent with repeated listenings. The best tracks on
happen to also be the least well known; the brisk
"So in Love,"
the delicate, solo vehicle
"If I Should Lose You,"
the soft, orchestral
"Wild Is the Wind,"
and the bright, swinging title piece. Though he occasionally takes a dissonant, avant-garde approach (
"Out of Nowhere"
), it is clearly not his most effective style.
is at is best when he "sings" on the piano and his ballad playing is consistently first rate. This is a quality album, branded by excellent trio playing and tasteful interpretations of the standard repertoire. ~ Brian Bartolini
Fred Hersch
and his bandmates interpret 11 standards on their fine album,
Dancing in the Dark
.
Hersch
is a lyrical player who possesses a light touch and a sophisticated sense of style. His playing is unmistakably influenced by
Bill Evans
, and his trio work is marked by some of the characteristics that made
Evans
' best trios so memorable: cohesive, "whole is greater than the sum of its parts," musical communication.
Drew Gress
(bass) and
Tom Rainey
(drums) are outstanding throughout these 70 minutes and their efforts become even more apparent with repeated listenings. The best tracks on
happen to also be the least well known; the brisk
"So in Love,"
the delicate, solo vehicle
"If I Should Lose You,"
the soft, orchestral
"Wild Is the Wind,"
and the bright, swinging title piece. Though he occasionally takes a dissonant, avant-garde approach (
"Out of Nowhere"
), it is clearly not his most effective style.
is at is best when he "sings" on the piano and his ballad playing is consistently first rate. This is a quality album, branded by excellent trio playing and tasteful interpretations of the standard repertoire. ~ Brian Bartolini
and his bandmates interpret 11 standards on their fine album,
Dancing in the Dark
.
Hersch
is a lyrical player who possesses a light touch and a sophisticated sense of style. His playing is unmistakably influenced by
Bill Evans
, and his trio work is marked by some of the characteristics that made
Evans
' best trios so memorable: cohesive, "whole is greater than the sum of its parts," musical communication.
Drew Gress
(bass) and
Tom Rainey
(drums) are outstanding throughout these 70 minutes and their efforts become even more apparent with repeated listenings. The best tracks on
happen to also be the least well known; the brisk
"So in Love,"
the delicate, solo vehicle
"If I Should Lose You,"
the soft, orchestral
"Wild Is the Wind,"
and the bright, swinging title piece. Though he occasionally takes a dissonant, avant-garde approach (
"Out of Nowhere"
), it is clearly not his most effective style.
is at is best when he "sings" on the piano and his ballad playing is consistently first rate. This is a quality album, branded by excellent trio playing and tasteful interpretations of the standard repertoire. ~ Brian Bartolini
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2100 Hamilton Pl Blvd, Chattanooga, TN 37421, United States
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