Albert Borowitz provides a guide to “fact-based crime literature” focusing on two principal groups of works: non-fictional accounts of crimes and criminal trials, including essays, monographs, journalism, editions of court transcripts, prison histories, and criminal and police biographies and memoirs; and works of imaginative literature, such as novels, stories, or stage works, based on or inspired by actual crimes or criminals.Blood and Ink, with forewords by Jacques Barzun and true-crime writer/historian Jonathan Goodman, will prove to be an invaluable resource to true-crime aficionados as well as to students and scholars of literature, cultural studies, and social history.
Albert Borowitz provides a guide to “fact-based crime literature” focusing on two principal groups of works: non-fictional accounts of crimes and criminal trials, including essays, monographs, journalism, editions of court transcripts, prison histories, and criminal and police biographies and memoirs; and works of imaginative literature, such as novels, stories, or stage works, based on or inspired by actual crimes or criminals.Blood and Ink, with forewords by Jacques Barzun and true-crime writer/historian Jonathan Goodman, will prove to be an invaluable resource to true-crime aficionados as well as to students and scholars of literature, cultural studies, and social history.
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