Mary D. Garrard, author of the acclaimed Artemisia Gentileschi, furthers her study of the seventeenthcentury artist in this groundbreaking investigation of two littleknown paintings. Taking as case studies the Seville Mary Magdalene and the Burghley House Susanna and the Elders, paintings of circa 162122 attributed to Artemisia, Garrard examines the ways that identity, gender, and market pressures interact both in the artist's work and in the criticism and connoisseurship that have surrounded it.
Mary D. Garrard, author of the acclaimed Artemisia Gentileschi, furthers her study of the seventeenthcentury artist in this groundbreaking investigation of two littleknown paintings. Taking as case studies the Seville Mary Magdalene and the Burghley House Susanna and the Elders, paintings of circa 162122 attributed to Artemisia, Garrard examines the ways that identity, gender, and market pressures interact both in the artist's work and in the criticism and connoisseurship that have surrounded it.
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