Znamenityy roman mastera «grotesknogo realizma» Yuriya Polyakova «Gipsovyy trubach» ne imeet analogov v sovremennoy otechestvennoy slovesnosti ni po zanimatelnosti, ni po zhanrovomu svoeobraziyu, ni po ohvatu tem. Eta «ironicheskaya epopeya», kak nazvali ee kritiki, soedinyaet v sebe cherty detektiva, lyubovnoy istorii, psihologicheskogo romana, sotsialnoy satiry, a izobiliem blestyaschih vstavnyh novell napominaet «Dekameron». Kak vsegda, avtor uvlekaet chitatelya virtuozno zakruchennym syuzhetom, pokoryaet yarkimi i slozhnymi harakterami geroev, voshischaet ottochennym ironicheskim stilem, porazhaet neozhidannymi metaforami i aforizmami, volnuet utonchennoy erotikoy. V pervuyu knigu dilogii voshli chasti «Naselniki kusch» i «Igrovod i pisodey».
Znamenityy roman mastera «grotesknogo realizma» Yuriya Polyakova «Gipsovyy trubach» ne imeet analogov v sovremennoy otechestvennoy slovesnosti ni po zanimatelnosti, ni po zhanrovomu svoeobraziyu, ni po ohvatu tem. Eta «ironicheskaya epopeya», kak nazvali ee kritiki, soedinyaet v sebe cherty detektiva, lyubovnoy istorii, psihologicheskogo romana, sotsialnoy satiry, a izobiliem blestyaschih vstavnyh novell napominaet «Dekameron». Kak vsegda, avtor uvlekaet chitatelya virtuozno zakruchennym syuzhetom, pokoryaet yarkimi i slozhnymi harakterami geroev, voshischaet ottochennym ironicheskim stilem, porazhaet neozhidannymi metaforami i aforizmami, volnuet utonchennoy erotikoy. V pervuyu knigu dilogii voshli chasti «Naselniki kusch» i «Igrovod i pisodey».
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