Vo vtoroy tom sobraniya sochineniy klassika otechestvennoy literatury Yuriya Polyakova voshli dve ego samye znamenitye povesti «Apofegey» i «Parizhskaya lyubov Kosti Gumankova», kotorye uzhe bolee tridtsati let raduyut chitateley svoey psihologicheskoy glubinoy, samobytnostyu i nepovtorimym yumorom. Pomeschennye tut zhe avtorskie esse «Chto takoe "Apofegey"?» i «Kak ya pisal "Parizhskuyu lyubov"» priotkryvayut dver v tvorcheskuyu laboratoriyu pisatelya, rasskazyvaya o tom, kak zadumyvalis i sochinyalis bestsellery, desyatki raz pereizdannye, ekranizirovannye, perevedennye na mnogie yazyki.
Vo vtoroy tom sobraniya sochineniy klassika otechestvennoy literatury Yuriya Polyakova voshli dve ego samye znamenitye povesti «Apofegey» i «Parizhskaya lyubov Kosti Gumankova», kotorye uzhe bolee tridtsati let raduyut chitateley svoey psihologicheskoy glubinoy, samobytnostyu i nepovtorimym yumorom. Pomeschennye tut zhe avtorskie esse «Chto takoe "Apofegey"?» i «Kak ya pisal "Parizhskuyu lyubov"» priotkryvayut dver v tvorcheskuyu laboratoriyu pisatelya, rasskazyvaya o tom, kak zadumyvalis i sochinyalis bestsellery, desyatki raz pereizdannye, ekranizirovannye, perevedennye na mnogie yazyki.
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